Access the full text.
Sign up today, get DeepDyve free for 14 days.
Loading next page...
/lp/wiley/voice-leading-energetics-in-wagner-s-tristan-idiom-tq2fVBLQMY
References (80)
-
Fred Lerdahl (2001)
Tonal Pitch Space -
Robert W. Wason (1985)
Viennese Harmonic Theory from Albrechtsberger to Schenker and Schoenberg -
K. Swinden (2005)
When Functions Collide: Aspects of Plural Function in Chromatic MusicMusic Theory Spectrum, 27
-
David Lewin (1996)
Cohn Functions, 40/ii
-
Victor Zuckerkandl (1956)
Sound and Symbol -
Richard Cohn (2006)
Uncanny Resemblances: Tonal Signification in the Freudian Age, 57/ii
-
Arthur J. Komar (1971)
Theory of Suspension: a Study of Metrical and Pitch Relations in Tonal Music -
L. Poundie Burstein (1983)
A New View of Tristan: Tonal Unity in the Prelude and Conclusion to Act I, 8/i
-
Alfred Lorenz (1966)
Der Musikalische Aufbau von Richard Wagners -
Mary Ann Smart (2004)
Mimomania: Music and Gesture in Nineteenth‐Century Opera -
James Hepokoski, Warren Darcy (2006)
Elements of Sonata Theory: Norms, Types, and Deformations in the Late Eighteenth‐Century Sonata -
Mark Johnson (1987)
The body in the mind: the bodily basis of meaning -
Ernst Kurth (1985)
Richard Wagner: Prelude and Transfiguration from -
Richard Cohn (1998)
Square Dances with CubesJournal of Music Theory, 42
-
Geoffrey Chew (1991)
Ernst Kurth, Music as Psychic Motion and 'Tristan und Isolde': Towards a Model for Analysing Musical InstabilityMusic Analysis, 10
-
M. Farbood (2012)
A Parametric, Temporal Model of Musical TensionMusic Perception, 29
-
Jean‐Jaques Nattiez (1990)
Music and Discourse: toward a Semiology of Music -
Anthony Newcomb (1983)
The Birth of Music out of the Spirit of Drama: an Essay in Wagnerian Formal Analysis, 5/i
-
William Mitchell (1967)
The Music Forum -
D. Lewin (1984)
Amfortas's Prayer to Titurel and the Role of D in "Parsifal": The Tonal Spaces of the Drama and the Enharmonic C♭/B19th-Century Music, 7
-
Lawrence Zbikowski (2002)
Conceptualizing Music: Cognitive Structure, Theory, and Analysis -
David Huron (2006)
Sweet Anticipation: Music and the Psychology of Expectation -
R. Taruskin (1985)
Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's AngleJournal of the American Musicological Society, 38
-
Daphne Tan (2013)
Ernst Kurth at the Boundary of Music Theory and Psychology -
William Marvin (2003)
The Function of "Rules" in Die Meistersinger von NüürnbergThe Journal of Musicology, 20
-
Charles Smith (1986)
The Functional Extravagance of Chromatic ChordsMusic Theory Spectrum, 8
-
Matthew BaileyShea (2003)
The Wagnerian Satz: the Rhetoric of the Sentence in Wagner's Post‐Lohengrin Operas -
Frank Samarotto (2009)
Plays of Opposing Motion”: Contra‐Structural Melodic Impulses in Voice‐Leading Analysis, 1/ii
-
Joseph N. Straus
2003: ‘Uniformity, Balance, and Smoothness in Atonal Voice Leading, 25/ii
-
R. Morgan (2000)
Circular Form in the "Tristan" PreludeJournal of the American Musicological Society, 53
-
Brian Hyer (1989)
Tonal Intuitions in Tristan und Isolde -
Mark Johnson (1987)
The Body in the Mind: the Bodily Basis of Meaning, Imagination, and Reason -
C. Brower (2000)
A Cognitive Theory of Musical MeaningJournal of Music Theory, 44
-
Matthew BaileyShea (2002)
Wagner's Loosely Knit Sentences and the Drama of Musical Form, 16–17
-
Warren Darcy (1993)
Studies in Musical Genesis and Structure -
Lee Allen Rothfarb (2002)
The Cambridge History of Western Music Theory -
E. Gollin (1998)
Some Aspects of Three-Dimensional "Tonnetze"Journal of Music Theory, 42
-
Christopher Wintle (1982)
Issues in Dahlhaus, 1/iii
-
Arnie Cox (2011)
Embodying Music: Principles of the Mimetic Hypothesis, 17/ii
-
Robert Hatten (2004)
Interpreting Musical Gestures, Topics, and Tropes: Mozart, Beethoven, Schubert -
James Hepokoski, W. Darcy (2006)
Elements of Sonata Theory -
Carol L. Krumhansl
1996: ‘A Perceptual Analysis of Mozart's Piano Sonata K. 282: Segmentation, Tension, and Musical Ideas, 13/iii
-
Dmitri Tymoczko (2011)
A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice -
R. Gauldin (2001)
The DOUTH2 Relation as a Dramatic Signifier in Wagner's Music DramasMusic Analysis, 20
-
Ernst Kurth (1920)
Romantische Harmonik und ihre Krise in Wagner's ‘Tristan und Isolde’ -
Carl Dahlhaus (1979)
Richard Wagner's Music Dramas -
Janna Saslaw (1997)
Life Forces: Conceptual Structures in Schenker's Free Composition and Schoenberg's The Musical Idea, 22–23
-
A. Forte (1988)
New Approaches to the Linear Analysis of MusicJournal of the American Musicological Society, 41
-
Robert Bailey (1977)
The Structure of the Ring and Its Evolution19th-Century Music, 1
-
Theodor W. Adorno (2005)
In Search of Wagner -
Adrian P. Childs
1998: ‘Moving beyond Neo‐Riemannian Triads: Exploring a Transformational Model for Seventh Chords, 42/ii
-
Carl Dahlhaus (1980)
Between Romanticism and Modernism: Four Studies in the Music of the Later Nineteenth Century -
Dave Headlam (1996)
The Music of Alban Berg -
Neil Newton (2014)
An Aspect of Functional Harmony in Schoenberg's Early Post‐Tonal MusicMusic Analysis, 33
-
R. Gauldin (1999)
Reference and Association in the Vier Lieder, Op. 2, of Alban BergMusic Theory Spectrum, 21
-
John Rothgeb (1995)
The Tristan Chord: Identity and Origin, 1/i
-
Patrick McCreless (1989)
Analyzing Opera: Verdi and Wagner -
Arnold Whittall (2008)
Representing Sonatas: Review of Elements of Sonata Theory: Norms, Types, and Deformations in the Late Eighteenth‐Century Sonata by James Hepokoski and Warren Darcy, 133/ii
-
Richard Cohn (2012)
Audacious EuphonyChromatic Harmony and the Triad's Second Nature -
Candace Brower (1997–8)
Pathway, Blockage, and Containment in Density 21.5, 22–23
-
William Rothstein (1995)
The Tristan Chord in Historical Context: a Response to John Rothgeb, 1/iii
-
Steve Larson (2012)
Musical Forces: Motion, Metaphor, and Meaning in Music -
Lee Allen Rothfarb (1988)
Ernst Kurth as Theorist and Analyst -
Patrick McCreless (1995)
Review of Wagner's Das Rheingold: Studies in Musical Genesis and Structure by Warren Darcy, 18/iii
-
Robert Hatten (2006)
Music and Gesture -
Arnold Schoenberg (1983)
Structural Functions of Harmony -
Ernst Kurth (1991)
Selected Writings -
Frank Samarotto (2007)
Determinism, Prediction, and Inevitability in Brahms's Rhapsody in E‐flat major, Op. 119, No. 4, 32
-
Warren Darcy (2005)
A Companion to Wagner's -
Richard Cohn (2012)
Audacious Euphony: Chromaticism and the Triad's Second Nature -
Ernest Newman (1949)
The Wagner Operas -
Friedrich Nietzsche (2005b)
The Anti‐Christ, Ecce homo, Twilight of the Idols, and Other Writings -
Ian Quinn (2005)
Harmonic Function without Primary Triads -
Benjamin Boretz (1972)
Meta‐Variations, Part IV: Analytic Fallout (I), 11/ii
-
R. Gauldin (1979)
Wagner's Parody Technique: "Traume" and the "Tristan" Love DuetMusic Theory Spectrum, 1
-
Milton Babbitt (1976)
Responses: A First ApproximationPerspectives of New Music, 14
-
Daniel Harrison (1994)
Harmonic Function in Chromatic Music: a Renewed Dualist Theory and an Account of Its Precedents -
Steve Larson (1997)
The Problem of Prolongation in "Tonal" Music: Terminology, Perception, and Expressive MeaningJournal of Music Theory, 41
-
Mark DeVoto (1991)
Alban Berg: Historical and Analytical Perspectives -
Daniel Harrison (1995)
Supplement to the Theory of Augmented-Sixth ChordsMusic Theory Spectrum, 17
- Publisher
- Wiley
- Copyright
- Music Analysis © 2016 John Wiley & Sons Ltd
- ISSN
- 0262-5245
- eISSN
- 1468-2249
- DOI
- 10.1111/musa.12055
- Publisher site
- See Article on Publisher Site
Abstract
Recent theories of musical energetics have typically given tonality – often a powerfully synthetic, prolongational monotonality – a decisive role in accounting for sensations of musical tension, force and attraction. Though well‐suited to music of the common practice, these models fare less well in certain repertoires of the later nineteenth century, where tonal centres are often fleeting and traditional syntax is weakened or even annulled—as is often the case in Wagner's late music, where dissonant tertian tetrachords are combined in new and sometimes confounding ways.
Journal
Music Analysis – Wiley
Published: Jul 1, 2016