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TOWARDS A MORE RECIPROCAL DISCOURSE BETWEEN ANALYSIS AND PERFORMANCE

TOWARDS A MORE RECIPROCAL DISCOURSE BETWEEN ANALYSIS AND PERFORMANCE This critical commentary surveys some of the now‐canonical literature that redefined the relationship between analysis and performance after Wallace Berry. While efforts have been made to give performance a place at the analytical table, I maintain that our current conceptions of what counts as musical structure have remained overly indebted to music theory, stifling any balanced dialogue with performance, and I suggest one possible way forward by probing an unusual structural moment in a Mozart quartet movement. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Music Analysis Wiley

TOWARDS A MORE RECIPROCAL DISCOURSE BETWEEN ANALYSIS AND PERFORMANCE

Music Analysis , Volume 39 (3) – Oct 1, 2020

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Publisher
Wiley
Copyright
Music Analysis © 2020 John Wiley & Sons Ltd
ISSN
0262-5245
eISSN
1468-2249
DOI
10.1111/musa.12168
Publisher site
See Article on Publisher Site

Abstract

This critical commentary surveys some of the now‐canonical literature that redefined the relationship between analysis and performance after Wallace Berry. While efforts have been made to give performance a place at the analytical table, I maintain that our current conceptions of what counts as musical structure have remained overly indebted to music theory, stifling any balanced dialogue with performance, and I suggest one possible way forward by probing an unusual structural moment in a Mozart quartet movement.

Journal

Music AnalysisWiley

Published: Oct 1, 2020

References