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THE MODEL OF TIME IN RUSSIAN CULTURE OF THE TWENTIETH CENTURY

THE MODEL OF TIME IN RUSSIAN CULTURE OF THE TWENTIETH CENTURY Footnotes 1 The article was written in Russian; it was translated and edited by Dr RIchard Price of Heythrop College, to whom I am most grateful. 2 See Yu M. Lotman, Universe of Mind: A Semiotic Theory of Culture. Tr. by Ann Shukman. Intr. by Umberto Eco. (London: Tauris, 1990, esp. part 3; see also: V.V. Ivanov, ‘Category of Time in Art and Culture in the XX Century’, Semiotica 8 (1), 1973; Yu M. Lotman, ‘The Modelling Significance of the Concepts “End” and “Begining” in Artistic Texts’, Russian Poetics in Translation, 3, Oxford, 1976; Yu. M. Lotman ‘Culture as Collective Intellectr and Problems of Artificial Intelligence’, russian Poetics in Translation, 6 Oxford, 1979; Yu. M. Lotman and B.A. Uspensky. ‘Myth‐Name‐Culture’ in Soviet Semiotics, edited by Daniel P. Lucid. (Baltimore & London: The Johns Hopkins University Press, 1977); Yu. M. Lotman and B.A. Uspensky The Semiotics of Russian Culture, edited by A. Shukman (Ann Arbor: The Univ. of Michigan, 1984); A. Shukman, Literature and Semiotics: A Study of the writings of Yu. M. Lotmanm. (Amsterdam‐New York‐Oxford: North‐Holland Publishing Company, 1977); B.A. Uspensky, ‘Historia sub Specie Semi oticae’ in Daniel P. Lucid (ed.), Soviet Semiotics. (Baltimore & London: The Johns http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Heythrop Journal Wiley

THE MODEL OF TIME IN RUSSIAN CULTURE OF THE TWENTIETH CENTURY

NIKIFOROV, VLADIMIR
The Heythrop Journal , Volume 35 (2) – Apr 1, 1994
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Publisher
Wiley
Copyright
Copyright © 1994 Wiley Subscription Services, Inc., A Wiley Company
ISSN
0018-1196
eISSN
1468-2265
DOI
10.1111/j.1468-2265.1994.tb00939.x
Publisher site
See Article on Publisher Site

Abstract

Footnotes 1 The article was written in Russian; it was translated and edited by Dr RIchard Price of Heythrop College, to whom I am most grateful. 2 See Yu M. Lotman, Universe of Mind: A Semiotic Theory of Culture. Tr. by Ann Shukman. Intr. by Umberto Eco. (London: Tauris, 1990, esp. part 3; see also: V.V. Ivanov, ‘Category of Time in Art and Culture in the XX Century’, Semiotica 8 (1), 1973; Yu M. Lotman, ‘The Modelling Significance of the Concepts “End” and “Begining” in Artistic Texts’, Russian Poetics in Translation, 3, Oxford, 1976; Yu. M. Lotman ‘Culture as Collective Intellectr and Problems of Artificial Intelligence’, russian Poetics in Translation, 6 Oxford, 1979; Yu. M. Lotman and B.A. Uspensky. ‘Myth‐Name‐Culture’ in Soviet Semiotics, edited by Daniel P. Lucid. (Baltimore & London: The Johns Hopkins University Press, 1977); Yu. M. Lotman and B.A. Uspensky The Semiotics of Russian Culture, edited by A. Shukman (Ann Arbor: The Univ. of Michigan, 1984); A. Shukman, Literature and Semiotics: A Study of the writings of Yu. M. Lotmanm. (Amsterdam‐New York‐Oxford: North‐Holland Publishing Company, 1977); B.A. Uspensky, ‘Historia sub Specie Semi oticae’ in Daniel P. Lucid (ed.), Soviet Semiotics. (Baltimore & London: The Johns

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Published: Apr 1, 1994

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