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Schubert, Theory and Analysis

Schubert, Theory and Analysis Music Analysis, 21/ii (2002) 209 ß Blackwell Publishers Ltd. 2002. Published by Blackwell Publishers, 108 Cowley Road, Oxford OX4 1JF, UK SUZANNAH CLARK Music' series and is largely intended as a pedagogical tool. Divided into three broad parts, it separates Schubert scholarship into different strands: the musical, political and cultural contexts of Schubert; aspects of his musical style; and reception (including German, English and French reception histories), along with a history of performance. The articles in the special issue of the journal Schubert durch die Brille originated as papers in a bicentenary conference entitled `The Biedermeier and Beyond'. The live event was originally broader in scope than the musicological articles included here indicate, as it also featured papers on cultural-historical topics relating to Biedermeier Vienna. Only two of the contributions in Schubert durch die Brille directly address the relevance of the Biedermeier aesthetic to Schubert's music, namely those by Walburga Litschauer and Till Gerrit Waidelich, an observation to which I shall return. Others focus on analytical issues, performance practice, Schubert's influence on Brahms, the second Viennese school and various Czech composers. In Franz Schubert: Sexuality, Subjectivity, Song, Lawrence Kramer endeavours to approach Schubert's songs from a new perspective, http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Music Analysis Wiley

Schubert, Theory and Analysis

Music Analysis , Volume 21 (2) – Jul 1, 2002

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Publisher
Wiley
Copyright
Copyright © 2002 Wiley Subscription Services, Inc., A Wiley Company
ISSN
0262-5245
eISSN
1468-2249
DOI
10.1111/1468-2249.00157
Publisher site
See Article on Publisher Site

Abstract

Music Analysis, 21/ii (2002) 209 ß Blackwell Publishers Ltd. 2002. Published by Blackwell Publishers, 108 Cowley Road, Oxford OX4 1JF, UK SUZANNAH CLARK Music' series and is largely intended as a pedagogical tool. Divided into three broad parts, it separates Schubert scholarship into different strands: the musical, political and cultural contexts of Schubert; aspects of his musical style; and reception (including German, English and French reception histories), along with a history of performance. The articles in the special issue of the journal Schubert durch die Brille originated as papers in a bicentenary conference entitled `The Biedermeier and Beyond'. The live event was originally broader in scope than the musicological articles included here indicate, as it also featured papers on cultural-historical topics relating to Biedermeier Vienna. Only two of the contributions in Schubert durch die Brille directly address the relevance of the Biedermeier aesthetic to Schubert's music, namely those by Walburga Litschauer and Till Gerrit Waidelich, an observation to which I shall return. Others focus on analytical issues, performance practice, Schubert's influence on Brahms, the second Viennese school and various Czech composers. In Franz Schubert: Sexuality, Subjectivity, Song, Lawrence Kramer endeavours to approach Schubert's songs from a new perspective,

Journal

Music AnalysisWiley

Published: Jul 1, 2002

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