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Nayatani (1965)
A study on colour harmony by the paired comparison technic. II. An appraisement of two-color harmony by paired comparison technicBull Electrotech Lab, 29
Mori (1966)
Studies on color harmony. V. The construction of the maps for selecting two-color harmoniesBull Electrotech Lab, 30
P. Moon, D. Spencer (1944)
Area in color harmonyJournal of the Optical Society of America, 34
Kenjiro Hashimoto, Y. Nayatani (1994)
Visual clarity and feeling of contrastColor Research and Application, 19
Nayatani (1967)
An analysis of affective values on three-color harmony by semantic differential method. I. Design and practice of experimentBull Electrotech Lab, 31
I. Godlove (1951)
Improved Color-Difference Formula, with Applications to the Perceptibility and Acceptability of FadingsJournal of the Optical Society of America, 41
Mori (1967)
An appraisal of two-color harmony by paired comparison method (Part 1)Acta Chromatica, 1
Asano (1968)
An analysis of affective values on three-color harmony by semantic differential method. II. Analysis of experiments by factor analysisBull Electrotech Lab, 32
Nayatani (1968)
An analysis of affective values on three-color harmony by semantic differential method. III. Correspondence between factor scores and physical quantitiesBull Electrotech Lab, 32
Mori (1966)
Studies on color harmony. III. Estimation of the aesthetic measure of two-color harmony from its component colorsBull Electrotech Lab, 30
Nayatani (1972)
Analysis of qualities associated by people with single object colors. I. Design of experiment and preliminary analysisElectrotech Lab, 36
Hideki Sakai, Y. Nayatani (2009)
Proposal for selecting two-color combinations with various affections. Part II: Demonstration of the systemColor Research and Application, 34
Nayatani (1970)
Individual differences on the qualities associated by people with two-color combinationsFarbe, 19
H. Scheffé (1952)
An Analysis of Variance for Paired ComparisonsJournal of the American Statistical Association, 47
P. Moon, D. Spencer (1944)
Geometric Formulation of Classical Color HarmonyJournal of the Optical Society of America, 34
Nayatani (1969)
Individual difference in appraisement of two-color harmony. II. Factor analytical study on color harmony affection of preferenceBull Electrotech Lab, 33
Nayatani (1965)
A study on colour harmony by the paired comparison technic. I. Preliminary experimentBull Electrotech Lab, 29
Nayatani (1970)
Variation of qualities associated by people on two-color combinations for their different kinds of areal-compositionsElectrotech Lab, 34
Nayatani (1969)
Individual difference in appraisement of two-color harmony. I. Design of experiment and preliminary analysisBull Electrotech Lab, 33
Nayatani (1969)
An analysis of affective values on three-color harmony by the semantic differential medhodFarbe, 18
Nayatani (1970)
Individual difference in appraisement of two-color harmony. III. The correspondence between the feeling of preference and the character of subjects, 34
Kenjiro Hashimoto, T. Yano, Masanori Shimizu, Y. Nayatani (2007)
New method for specifying color‐rendering properties of light sources based on feeling of contrastColor Research and Application, 32
Nayatani (1972)
Analysis of qualities associated by people with single object colors. II. Relation between the appraisal on color combinations and the one on single colorsBull Electrotech Lab, 36
Nayatani (1969)
An analysis of affective values on three-color harmony by semantic differential method. IV. A tentative design plan three-color harmony and its applicationsBull Electrotech Lab, 33
A method is proposed for selecting two‐color combinations with various feelings. Feelings used are pleasantness, contrast, floridness, warmth, and their combinations. The proposed method is given by its flow chart for selecting the candidates of two‐color combinations adapting to target feeling(s). The effectiveness of the proposed method is shown by the correlation coefficients between observed and predicted values for four kinds of feelings. Munsell H V/Cs of each component color are necessary for prediction; the prediction formulas are given for estimating the degree of each feeling for any two‐color combinations. The proposed method can be expanded to three‐color combinations. This proposal is expected to assist color designers, who can choose their usable color combinations from the candidates selected by the proposed method. © 2009 Wiley Periodicals, Inc. Col Res Appl, 34, 128–134, 2009
Color Research & Application – Wiley
Published: Apr 1, 2009
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