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Paul Hawkshaw and Timothy l. Jackson (eds.), Bruckner Studies

Paul Hawkshaw and Timothy l. Jackson (eds.), Bruckner Studies NOTES 1. Paul Bekker, Die Sinfonie von Beethoven bis Mahler (Berlin: Schuster and Loeffler, 1918). Bekker’s text did appear in Russian translation in the 1920s and featured in various Soviet discussions of ‘symphonism’ thereafter. Nicholas Cook, Beethoven: Symphony No. 9 (Cambridge: Cambridge University Press, 1993). See David Brodbeck, Brahms: Symphony No. 1 (Cambridge: Cambridge University Press, 1997), especially pp. 39–50. The reference to Schumann’s initial conception for the Fourth Symphony appears on p. 40. See Brodbeck, Brahms: Symphony No. 1, pp. 67–9. Paul Hawkshaw and Timothy L. Jackson (eds.), Bruckner Studies (Cambridge: Cambridge University Press, 1997). xv+301 pp. £40.00. ISBN 0– 521–57014–X (hb). Bruckner has not fared well in the English-speaking world as an object of musicological investigation. In contrast to the considerable body of biographical and text-critical literature to have emerged from Central Europe, publications elsewhere have not been plentiful. The many analytical techniques developed since the Second World War, principally through the American reception of the ideas of Schenker and Schoenberg, have left Bruckner largely untouched. Textual research, partly because of the imposing quantity of editorial problems, and perhaps also because of the difficulty of obtaining access to source materials,1 has been virtually non-existent. Studies in http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Music Analysis Wiley

Paul Hawkshaw and Timothy l. Jackson (eds.), Bruckner Studies

Horton, Julian
Music Analysis , Volume 18 (1) – Mar 1, 1999
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Publisher
Wiley
Copyright
Blackwell Publishers Ltd 1999
ISSN
0262-5245
eISSN
1468-2249
DOI
10.1111/1468-2249.00088
Publisher site
See Article on Publisher Site

Abstract

NOTES 1. Paul Bekker, Die Sinfonie von Beethoven bis Mahler (Berlin: Schuster and Loeffler, 1918). Bekker’s text did appear in Russian translation in the 1920s and featured in various Soviet discussions of ‘symphonism’ thereafter. Nicholas Cook, Beethoven: Symphony No. 9 (Cambridge: Cambridge University Press, 1993). See David Brodbeck, Brahms: Symphony No. 1 (Cambridge: Cambridge University Press, 1997), especially pp. 39–50. The reference to Schumann’s initial conception for the Fourth Symphony appears on p. 40. See Brodbeck, Brahms: Symphony No. 1, pp. 67–9. Paul Hawkshaw and Timothy L. Jackson (eds.), Bruckner Studies (Cambridge: Cambridge University Press, 1997). xv+301 pp. £40.00. ISBN 0– 521–57014–X (hb). Bruckner has not fared well in the English-speaking world as an object of musicological investigation. In contrast to the considerable body of biographical and text-critical literature to have emerged from Central Europe, publications elsewhere have not been plentiful. The many analytical techniques developed since the Second World War, principally through the American reception of the ideas of Schenker and Schoenberg, have left Bruckner largely untouched. Textual research, partly because of the imposing quantity of editorial problems, and perhaps also because of the difficulty of obtaining access to source materials,1 has been virtually non-existent. Studies in

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Music Analysis – Wiley

Published: Mar 1, 1999

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