Access the full text.
Sign up today, get DeepDyve free for 14 days.
E. Cone (1982)
Schubert's Promissory Note: An Exercise in Musical Hermeneutics19th-Century Music, 5
J. Brown (2011)
Schumann and the style hongrois
T. Grey (1988)
Wagner, the Overture, and the Aesthetics of Musical Form19th-Century Music, 12
J. Galand (2013)
Auxiliary Cadences and the Binary Rondo, 6
(2009)
Harmonies Heard from Afar: Tonal Pairing, Formal Design, and Cyclical Integration in Schumann's A‐minor Violin Sonata, Op. 105
Leon Plantinga (1998)
Robert Schumann: Herald of a "New Poetic Age" . John Daverio .Journal of the American Musicological Society, 51
Robert Bailey (1990)
Brahms Studies: Analytical and Historical Perspectives
Peter Smith (2020)
Dvořák and Subordinate Theme ClosureJournal of Music Theory, 64
Peter Smith (2018)
Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvořák’s Later Chamber MusicMusic Theory Spectrum
Peter Smith (2009)
Brahms's Motivic Harmonies and Contemporary Tonal Theory: Three Case Studies from the Chamber MusicMusic Analysis, 28
Carissa Reddick (2010)
Becoming at a Deeper Level: Divisional Overlap in Sonata Forms from the Late Nineteenth CenturyMusic Theory Online, 16
Janet Schmalfeldt (1992)
Cadential processes: The evaded cadence and the “one more time” techniqueJournal of Musicological Research, 12
(2014)
“How Much Is Enough?” Structural and Formal Ramifications of the Abbreviated Second A Section in Rondo Finales from Haydn to Brahms
Bailey Robert (1990)
405
Peter Smith (2016)
Cadential Content and Cadential Function in the First-Movement Expositions of Schumann's Violin Sonatas, 3
J. Brown (2013)
Study, Copy, and Conquer: Schumann’s 1842 Chamber Music and the Recasting of Classical Sonata FormThe Journal of Musicology, 30
J. Galand (2008)
Some Eighteenth-Century Ritornello Scripts and Their Nineteenth-Century RevivalsMusic Theory Spectrum, 30
Peter Smith (1995)
Structural Tonic or Apparent Tonic?: Parametric Conflict, Temporal Perspective, and a Continuum of Articulative PossibilitiesJournal of Music Theory, 39
Peter Smith (2016)
Schumann's A-minor Mood Late-Style Dialectics in the First Movement of the Cello ConcertoJournal of Music Theory, 60
Peter Smith (2011)
Associative Harmony, Tonal Pairing, and Middleground Structure in Schumann's Sonata Expositions
James Hepokoski (2021)
A Sonata Theory Handbook
J. Webster (1978)
Schubert's Sonata Form and Brahms's First Maturity (II)19th-Century Music, 2
(1974)
Some Special Uses of Sonata Form by Brahms
P. Wingfield (2008)
Beyond‘Norms and Deformations’: Towards a Theory of Sonata Form as Reception HistoryMusic Analysis, 27
J. Horton (2011)
John Field and the Alternative History of Concerto First-Movement FormMusic and Letters, 92
James Hepokoski, W. Darcy (2006)
Elements of Sonata Theory
Benedict Taylor (2010)
Modal four-note pitch collections in the music of Dvořák's American PeriodMusic Theory Spectrum, 32
J. Lester (1995)
Robert Schumann and Sonata Forms19th-Century Music, 18
Steven Moortele (2017)
The Romantic Overture and Musical Form from Rossini to Wagner
Peter Smith (2014)
Schumann’s Continuous Expositions and the Classical TraditionJournal of Music Theory, 58
J. Brown (2004)
Higher Echoes of the Past in the Finale of Schumann's 1842 Piano QuartetJournal of the American Musicological Society, 57
Hepokoski and Darcy's sonata theory subdivides the sonata universe into five basic types. These include not only the familiar sonata without development (type 1), ‘textbook’ sonata (type 3), sonata‐rondo hybrid (type 4) and concerto form (type 5), but also the somewhat less familiar parallel‐binary designs of expanded type 1 and type 2. Many movements follow conventions of only one of these types, but there are also instances that fall in a grey area between the black and white categories.
Music Analysis – Wiley
Published: Oct 1, 2021
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.