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Parallel Binary or Tripartite? Formal Hybridisation of Sonata Types in the Nineteenth Century

Parallel Binary or Tripartite? Formal Hybridisation of Sonata Types in the Nineteenth Century Hepokoski and Darcy's sonata theory subdivides the sonata universe into five basic types. These include not only the familiar sonata without development (type 1), ‘textbook’ sonata (type 3), sonata‐rondo hybrid (type 4) and concerto form (type 5), but also the somewhat less familiar parallel‐binary designs of expanded type 1 and type 2. Many movements follow conventions of only one of these types, but there are also instances that fall in a grey area between the black and white categories. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Music Analysis Wiley

Parallel Binary or Tripartite? Formal Hybridisation of Sonata Types in the Nineteenth Century

Music Analysis , Volume 40 (3) – Oct 1, 2021

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Publisher
Wiley
Copyright
Music Analysis © 2021 John Wiley & Sons Ltd
ISSN
0262-5245
eISSN
1468-2249
DOI
10.1111/musa.12177
Publisher site
See Article on Publisher Site

Abstract

Hepokoski and Darcy's sonata theory subdivides the sonata universe into five basic types. These include not only the familiar sonata without development (type 1), ‘textbook’ sonata (type 3), sonata‐rondo hybrid (type 4) and concerto form (type 5), but also the somewhat less familiar parallel‐binary designs of expanded type 1 and type 2. Many movements follow conventions of only one of these types, but there are also instances that fall in a grey area between the black and white categories.

Journal

Music AnalysisWiley

Published: Oct 1, 2021

References