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N otes on C ontributors

N otes on C ontributors A ntonio C ascelli is Lecturer in Performance Studies at the National University of Ireland, Maynooth. His research interests cover music theory and analysis, Schenker, Chopin and early music. He is currently publishing an article on Schenker and Chopin in Schenker Studies 5. A nne M argaret H yland is a doctoral student at King's College, Cambridge, where she is supervised by Nicholas Marston. Her dissertation examines the issue of extended and extensive repetition in Schubert's chamber music, with particular interest in the developmental techniques employed both within and between the individual spaces of sonata form, and in the intersection linking the sonata and variation. She has published in the Journal of the Society for Musicology in Ireland , vol. 4, and the Encyclopaedia of Music in Ireland (forthcoming), and is an advisory editor for Musicology Review . K evin K orsyn is Professor of Music Theory at the University of Michigan. He received a publication award from the Society for Music Theory for his essay “Schenker and Kantian Epistemology.” R yan M c C lelland is Associate Professor of Music Theory at the University of Toronto. His articles on rhythmic‐metric design in the music of Brahms and others have appeared in Music Theory Spectrum , Theory and Practice , Intégral , the Dutch Journal of Music Theory and Intersections: Canadian Journal of Music/Revue canadienne de musique . P eter H. S mith , author of Expressive Forms in Brahms's Instrumental Music: Structure and Meaning in His Werther Quartet , is Associate Professor of Music at the University of Notre Dame. He serves as vice president of the American Brahms Society and on the editorial boards of the Indiana Theory Review , Theory and Practice and the Journal of Schenkerian Studies . http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Music Analysis Wiley

N otes on C ontributors

Music Analysis , Volume 28 (1) – Mar 1, 2009

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Publisher
Wiley
Copyright
© 2010 The Authors. Journal compilation © 2010 Blackwell Publishing Ltd.
ISSN
0262-5245
eISSN
1468-2249
DOI
10.1111/j.1468-2249.2010.00300.x
Publisher site
See Article on Publisher Site

Abstract

A ntonio C ascelli is Lecturer in Performance Studies at the National University of Ireland, Maynooth. His research interests cover music theory and analysis, Schenker, Chopin and early music. He is currently publishing an article on Schenker and Chopin in Schenker Studies 5. A nne M argaret H yland is a doctoral student at King's College, Cambridge, where she is supervised by Nicholas Marston. Her dissertation examines the issue of extended and extensive repetition in Schubert's chamber music, with particular interest in the developmental techniques employed both within and between the individual spaces of sonata form, and in the intersection linking the sonata and variation. She has published in the Journal of the Society for Musicology in Ireland , vol. 4, and the Encyclopaedia of Music in Ireland (forthcoming), and is an advisory editor for Musicology Review . K evin K orsyn is Professor of Music Theory at the University of Michigan. He received a publication award from the Society for Music Theory for his essay “Schenker and Kantian Epistemology.” R yan M c C lelland is Associate Professor of Music Theory at the University of Toronto. His articles on rhythmic‐metric design in the music of Brahms and others have appeared in Music Theory Spectrum , Theory and Practice , Intégral , the Dutch Journal of Music Theory and Intersections: Canadian Journal of Music/Revue canadienne de musique . P eter H. S mith , author of Expressive Forms in Brahms's Instrumental Music: Structure and Meaning in His Werther Quartet , is Associate Professor of Music at the University of Notre Dame. He serves as vice president of the American Brahms Society and on the editorial boards of the Indiana Theory Review , Theory and Practice and the Journal of Schenkerian Studies .

Journal

Music AnalysisWiley

Published: Mar 1, 2009

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