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N otes on C ontributors

N otes on C ontributors A my B auer is Assistant Professor of Music Theory at the University of California, Irvine. In addition to the music of Ligeti and Messiaen, she has published on various aspects of modernist aesthetics and popular culture. E ric C larke is Heather Professor of Music and Professorial Fellow of Wadham College in the University of Oxford. He has published widely on music psychology, theory, aesthetics and semiotics. H artmut F ladt is Professor at the Institut für Musikwissenschaft, Musiktheorie, Komposition und Musikübertragung in the Universität der Künste, Berlin. J onathan G oldman is Assistant Professor of Musicology at the School of Music of the University of Victoria (British Columbia, Canada) and editor‐in‐chief of Circuit, musiques contemporaines . R odney L ivingstone has taught German language and literature in Germany and Australia, and at the University of Southampton, where he is Professor Emeritus. The translator of major philosophical and political texts by Adorno, Benjamin, Marx, Weber and others, he is presently working on a translation of essays by the film theorist Béla Balázs as well as a book on religion by the German sociologist Ulrich Beck. C atherine L osada is Assistant Professor of Music Theory at the http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Music Analysis Wiley

N otes on C ontributors

Music Analysis , Volume 27 (2‐3) – Jul 1, 2008
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Publisher
Wiley
Copyright
Journal compilation © 2009 Blackwell Publishing Ltd.
ISSN
0262-5245
eISSN
1468-2249
DOI
10.1111/j.1468-2249.2009.00291.x
Publisher site
See Article on Publisher Site

Abstract

A my B auer is Assistant Professor of Music Theory at the University of California, Irvine. In addition to the music of Ligeti and Messiaen, she has published on various aspects of modernist aesthetics and popular culture. E ric C larke is Heather Professor of Music and Professorial Fellow of Wadham College in the University of Oxford. He has published widely on music psychology, theory, aesthetics and semiotics. H artmut F ladt is Professor at the Institut für Musikwissenschaft, Musiktheorie, Komposition und Musikübertragung in the Universität der Künste, Berlin. J onathan G oldman is Assistant Professor of Musicology at the School of Music of the University of Victoria (British Columbia, Canada) and editor‐in‐chief of Circuit, musiques contemporaines . R odney L ivingstone has taught German language and literature in Germany and Australia, and at the University of Southampton, where he is Professor Emeritus. The translator of major philosophical and political texts by Adorno, Benjamin, Marx, Weber and others, he is presently working on a translation of essays by the film theorist Béla Balázs as well as a book on religion by the German sociologist Ulrich Beck. C atherine L osada is Assistant Professor of Music Theory at the

Journal

Music Analysis – Wiley

Published: Jul 1, 2008

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