Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

N otes on C ontributors

N otes on C ontributors M ark A nson‐ C artwright is Assistant Professor of Music at Queens College and the Graduate Center of the City University of New York. He has published articles on music of the Classical period, as well as on Wagner and Wolf. His article on concepts of closure in tonal music will appear in a forthcoming volume of Theory and Practice . M. J. G rant studied musicology in Glasgow, London, and Berlin, where she now lives. Her first book, Serial Music, Serial Aesthetics: Compositional Theory in Post‐war Europe was published by Cambridge University Press in 2001. Á ine H eneghan is Assistant Professor of Music Theory at the University of Washington in Seattle. She completed her PhD dissertation ‘Tradition as Muse: Schoenberg's Musical Morphology and Nascent Dodecaphony’ at the University of Dublin, Trinity College in 2006. G iles H ooper is Lecturer in Music at the University of Liverpool. S cott M urphy is Assistant Professor of Music Theory at the University of Kansas. N ancy N ovember received her PhD from Cornell University. She is Lecturer in Musicology at the University of Auckland, as well as an Edison Fellow at the British Library, where she is investigating the performance history of Beethoven's string quartets. She has published review articles in Notes and Music Analysis , and her article ‘Theater Piece and Cabinetstück : Nineteenth‐Century Visual Ideologies of the String Quartet’ appeared in Music in Art: International Journal for Music Iconography (2004). She is currently researching the idea of melancholy in music c . 1800, and her edition of Gyrowetz's String Quartets Op. 29 is forthcoming from Steglein Publishing. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Music Analysis Wiley

N otes on C ontributors

Music Analysis , Volume 26 (3) – Oct 1, 2007

Loading next page...
 
/lp/wiley/n-otes-on-c-ontributors-PPhkqxtX3U
Publisher
Wiley
Copyright
Journal compilation © 2008 Blackwell Publishing Ltd.
ISSN
0262-5245
eISSN
1468-2249
DOI
10.1111/j.1468-2249.2008.00265.x
Publisher site
See Article on Publisher Site

Abstract

M ark A nson‐ C artwright is Assistant Professor of Music at Queens College and the Graduate Center of the City University of New York. He has published articles on music of the Classical period, as well as on Wagner and Wolf. His article on concepts of closure in tonal music will appear in a forthcoming volume of Theory and Practice . M. J. G rant studied musicology in Glasgow, London, and Berlin, where she now lives. Her first book, Serial Music, Serial Aesthetics: Compositional Theory in Post‐war Europe was published by Cambridge University Press in 2001. Á ine H eneghan is Assistant Professor of Music Theory at the University of Washington in Seattle. She completed her PhD dissertation ‘Tradition as Muse: Schoenberg's Musical Morphology and Nascent Dodecaphony’ at the University of Dublin, Trinity College in 2006. G iles H ooper is Lecturer in Music at the University of Liverpool. S cott M urphy is Assistant Professor of Music Theory at the University of Kansas. N ancy N ovember received her PhD from Cornell University. She is Lecturer in Musicology at the University of Auckland, as well as an Edison Fellow at the British Library, where she is investigating the performance history of Beethoven's string quartets. She has published review articles in Notes and Music Analysis , and her article ‘Theater Piece and Cabinetstück : Nineteenth‐Century Visual Ideologies of the String Quartet’ appeared in Music in Art: International Journal for Music Iconography (2004). She is currently researching the idea of melancholy in music c . 1800, and her edition of Gyrowetz's String Quartets Op. 29 is forthcoming from Steglein Publishing.

Journal

Music AnalysisWiley

Published: Oct 1, 2007

There are no references for this article.