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N otes on C ontributors

N otes on C ontributors C raig A yrey teaches music theory and analysis at Goldsmiths’ College, University of London. M atthew B ailey S hea is Assistant Professor of Theory at the Eastman School of Music and Assistant Professor of Music in the College of the University of Rochester. He received his PhD from Yale University in 2003 with a dissertation entitled ‘The Wagnerian Satz : The Rhetoric of the Sentence in Wagner's Post‐ Lohengrin Operas’. M atthew B ribitzer‐ S tull is Assistant Professor of Music Theory at the University of Minnesota. A contributing Co‐Editor of Richard Wagner for the New Millennium: Essays in Music, Culture, and History , he is currently writing a book on the development of the associative theme. M arta G rabocz is Professor in the Department of Music, Université Marc Bloch, Strasbourg. She has published on narrativity in eighteenth‐ and nineteenth‐century instrumental music, electro‐acoustic composition and computer music. Y onatan M alin is Assistant Professor of Music at Wesleyan University. His research interests include the theory of rhythm and music‐text relations in the German Lied. D elphine M ordey is a Junior Research Fellow and Director of Studies in Music at Newnham College, Cambridge. Her research focuses on the history of music in nineteenth‐century France. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Music Analysis Wiley

N otes on C ontributors

Music Analysis , Volume 25 (3) – Oct 1, 2006

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Publisher
Wiley
Copyright
Copyright © 2006 Wiley Subscription Services, Inc., A Wiley Company
ISSN
0262-5245
eISSN
1468-2249
DOI
10.1111/j.1468-2249.2006.00248.x
Publisher site
See Article on Publisher Site

Abstract

C raig A yrey teaches music theory and analysis at Goldsmiths’ College, University of London. M atthew B ailey S hea is Assistant Professor of Theory at the Eastman School of Music and Assistant Professor of Music in the College of the University of Rochester. He received his PhD from Yale University in 2003 with a dissertation entitled ‘The Wagnerian Satz : The Rhetoric of the Sentence in Wagner's Post‐ Lohengrin Operas’. M atthew B ribitzer‐ S tull is Assistant Professor of Music Theory at the University of Minnesota. A contributing Co‐Editor of Richard Wagner for the New Millennium: Essays in Music, Culture, and History , he is currently writing a book on the development of the associative theme. M arta G rabocz is Professor in the Department of Music, Université Marc Bloch, Strasbourg. She has published on narrativity in eighteenth‐ and nineteenth‐century instrumental music, electro‐acoustic composition and computer music. Y onatan M alin is Assistant Professor of Music at Wesleyan University. His research interests include the theory of rhythm and music‐text relations in the German Lied. D elphine M ordey is a Junior Research Fellow and Director of Studies in Music at Newnham College, Cambridge. Her research focuses on the history of music in nineteenth‐century France.

Journal

Music AnalysisWiley

Published: Oct 1, 2006

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