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Joy Calico (2014)
Arnold Schoenberg's A Survivor from Warsaw in Postwar Europe
D. Lewin (2006)
Some Notes on Analyzing Wagner
J. Auner (2005)
Composing on Stage: Schoenberg and the Creative Process as Public Performance19th-Century Music, 29
J. Boss (2014)
Schoenberg's Twelve-Tone Music: Contents
Bojan Bujić (2011)
Arnold Schoenberg
Matthew Arndt (2012)
Schoenberg on Problems, or, Why the Six‐Three Chord is Dissonant, 37–38
A. Street (2015)
New World, Old World: Schoenberg Now and ThenMusic Analysis, 34
Leon Botstein (1999)
Schoenberg and his World
(2014)
Schoenberg and Redemption: Index
Pierre Boulez (2004)
The Pleasure of Modernist Music
Richard Kurth, Jennifer Shaw, J. Auner (2010)
Pierrot lunaire: persona, voice, and the fabric of allusion
Ben Earle (2015)
Twelve‐Note Music as Music: an Essay in Two PartsMusic Analysis, 34
Pierre Boulez (1991)
Stocktakings from an Apprenticeship
Richard Cohn (2015)
David Lewin's ‘Morgengruß’
I. Pace (2015)
COMPOSITION AND PERFORMANCE CAN BE, AND OFTEN HAVE BEEN, RESEARCHTempo, 70
Alban Berg (2014)
Pro Mundo – Pro Domo: The Writings of Alban Berg
O. Neighbour (1952)
IN DEFENCE OF SCHÖNBERGMusic & Letters
Richard Cohn (2012)
Tonality 1900–1950: Concept and Practice
Richard Kurth (2010)
Immanence and transcendence in Moses und Aron
Theodor W. Adorno (2003)
Can One Live after Auschwitz?
Michael Cherlin (2007)
Schoenberg's Musical Imagination
Julie Brown (2014)
Schoenberg and Redemption: Acknowledgements
Joshua Mailman (2015)
Schoenberg's Chordal Experimentalism Revealed through Representational Hierarchy Association (RHA), Contour Motives, and Binary State SwitchingMusic Theory Spectrum, 37
Richard Cohn (2015)
Lewin’s Listeners Listening
Michael Cherlin (2000)
Dialectical Opposition in Schoenberg's Music and ThoughtMusic Theory Spectrum, 22
Naomi André (2000)
Political and Religious Ideas in the Works of Arnold Schoenberg
Michael Cherlin (1993)
Schoenberg and Das Unheimliche, 11/iii
Barbara Boisits (2002)
Arnold Schönberg: Interpretationen seiner Werke, 2
Julie Brown (2014)
Schoenberg and Redemption
Michael Cherlin (1993)
Schoenberg and Das Unheimliche: Spectres of TonalityThe Journal of Musicology, 11
Joseph Auner (2003)
A Schoenberg Reader
Jack Boss (2014)
Schoenberg's Twelve‐Tone Music: Symmetry and the Musical Idea
Two Critical Forum contributions to Music Analysis in 2015 testified to the continuing scholarly concern with Schoenberg's musical thinking, and particularly with the possible connections and disconnections between tonality and the twelve‐note method. This response revisits the materials surveyed in 2015 and adds further references in order to underline the special circumstances of Schoenberg's move from Europe to North America, the profound tensions of a career divided between teaching and composing, and the consequences of not separating thinking about music from thinking about religion – the material from the metaphysical.
Music Analysis – Wiley
Published: Oct 1, 2016
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