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Messiaen’s Triadic Colouration: Modes as Interversion

Messiaen’s Triadic Colouration: Modes as Interversion Music Analysis, 21/i (2002) 53 ß Blackwell Publishers Ltd. 2002. Published by Blackwell Publishers, 108 Cowley Road, Oxford OX4 1JF, UK CHEONG WAI-LING Ex. 1 `Premiere communion de la vierge', p. 78 Á ß Blackwell Publishers Ltd. 2002 Music Analysis, 21/i (2002) MESSIAEN'S TRIADIC COLOURATION Ex. 2 Parallel chord series listed in Technique a mode 2 1 arranged as a parallel tetrad series (Technique, ex. 317, annotated) 4-Z29B 4-Z29A b mode 3 1 arranged as a parallel pentad series (Technique, ex. 333, annotated) 5-26B 5-26A 5-Z37 c mode 4 1 arranged as a parallel tetrad series (Technique, ex. 346, annotated) 4-16A 4-Z29A 4-27B d mode 6 1 arranged as a parallel trichord series in contrary motion (Technique, ex. 351, annotated) 8 va 5-34 3-9 6-35 e mode 7 1 arranged as a parallel pentad series (Technique, ex. 355, annotated) 5-28B 5-31B 5-33 Music Analysis, 21/i (2002) ß Blackwell Publishers Ltd. 2002 CHEONG WAI-LING Â mode 7, while listed in Technique, are a rarity. In Le banquet celeste, the parallel trichord series is very much a by-product of voice-leading. As each voice traces mode 2 in a stepwise fashion, parallel chords come naturally into play. It seems likely that http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Music Analysis Wiley

Messiaen’s Triadic Colouration: Modes as Interversion

Wai–Ling, Cheong
Music Analysis , Volume 21 (1) – Mar 1, 2002
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Publisher
Wiley
Copyright
Copyright © 2002 Wiley Subscription Services, Inc., A Wiley Company
ISSN
0262-5245
eISSN
1468-2249
DOI
10.1111/1468-2249.00150
Publisher site
See Article on Publisher Site

Abstract

Music Analysis, 21/i (2002) 53 ß Blackwell Publishers Ltd. 2002. Published by Blackwell Publishers, 108 Cowley Road, Oxford OX4 1JF, UK CHEONG WAI-LING Ex. 1 `Premiere communion de la vierge', p. 78 Á ß Blackwell Publishers Ltd. 2002 Music Analysis, 21/i (2002) MESSIAEN'S TRIADIC COLOURATION Ex. 2 Parallel chord series listed in Technique a mode 2 1 arranged as a parallel tetrad series (Technique, ex. 317, annotated) 4-Z29B 4-Z29A b mode 3 1 arranged as a parallel pentad series (Technique, ex. 333, annotated) 5-26B 5-26A 5-Z37 c mode 4 1 arranged as a parallel tetrad series (Technique, ex. 346, annotated) 4-16A 4-Z29A 4-27B d mode 6 1 arranged as a parallel trichord series in contrary motion (Technique, ex. 351, annotated) 8 va 5-34 3-9 6-35 e mode 7 1 arranged as a parallel pentad series (Technique, ex. 355, annotated) 5-28B 5-31B 5-33 Music Analysis, 21/i (2002) ß Blackwell Publishers Ltd. 2002 CHEONG WAI-LING Â mode 7, while listed in Technique, are a rarity. In Le banquet celeste, the parallel trichord series is very much a by-product of voice-leading. As each voice traces mode 2 in a stepwise fashion, parallel chords come naturally into play. It seems likely that

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Music Analysis – Wiley

Published: Mar 1, 2002

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