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Making Monsters: The Greenwich Village Halloween Parade and the Politics of Representation

Making Monsters: The Greenwich Village Halloween Parade and the Politics of Representation THE GREENWICH VILLAGE Halloween Parade evolved since 1974 from intimate street theater into a major New York City event. Despite such apparent success, some veteran participants have become highly critical of the event, seeing it as an appropriation of a community celebration. In his book on the parade, the author gave voice to such criticisms. In doing so, the author found himself on a collision course with the current organizer of the parade who questioned the authority of individual voices. The essay examines the problematic nature of attempting to find a balance among informants' contradictory points of view. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png City & Society Wiley

Making Monsters: The Greenwich Village Halloween Parade and the Politics of Representation

City & Society , Volume 8 (1) – Jun 1, 1996

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References (5)

Publisher
Wiley
Copyright
Copyright © 1996 Wiley Subscription Services, Inc., A Wiley Company
ISSN
0893-0465
eISSN
1548-744X
DOI
10.1525/ciso.1996.8.1.128
Publisher site
See Article on Publisher Site

Abstract

THE GREENWICH VILLAGE Halloween Parade evolved since 1974 from intimate street theater into a major New York City event. Despite such apparent success, some veteran participants have become highly critical of the event, seeing it as an appropriation of a community celebration. In his book on the parade, the author gave voice to such criticisms. In doing so, the author found himself on a collision course with the current organizer of the parade who questioned the authority of individual voices. The essay examines the problematic nature of attempting to find a balance among informants' contradictory points of view.

Journal

City & SocietyWiley

Published: Jun 1, 1996

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