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Issue information ‐ TOC

Issue information ‐ TOC Volume 36, No. 2 July 2017 CONTENTS NICHOLAS COOK Inventing Tradition: Webern’s Piano Variations in Early Recordings 163 CHRISTIAN UTZ Time-Space Experience in Works for Solo Cello by Lachenmann, Xenakis and Ferneyhough: a Performance-Sensitive Approach to Morphosyntactic Musical Analysis 216 CRITICAL FORUM ANNE M. HYLAND Steven Vande Moortele, Julie Pedneault-Deslauriers and Nathan John Martin, eds, Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno Markus Neuwirth and Pieter Berge, ´ eds, What is a Cadence? Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire 257 ROBERT L. WELLS Ruth Tatlow, Bach’s Numbers: Compositional Proportion and Significance 268 WILLIAM DRABKIN Robert P. Morgan, Becoming Heinrich Schenker: Music Theory and Ideology Heinrich Schenker, Beethoven’s Last Piano Sonatas: an Edition with Elucidation Robert P. Morgan, Music Theory, Analysis, and Society: Selected Essays 282 ELIZABETH J. MARKHAM Richard Widdess, Daph ¯ a: ¯ Sacred Singing in a South Asian City: Music, Meaning and Performance in Bhaktapur, Nepal 296 http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Music Analysis Wiley

Issue information ‐ TOC

Music Analysis , Volume 36 (2) – Jul 1, 2017

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Publisher
Wiley
Copyright
Music Analysis © 2017 John Wiley & Sons Ltd
ISSN
0262-5245
eISSN
1468-2249
DOI
10.1111/musa.12079
Publisher site
See Article on Publisher Site

Abstract

Volume 36, No. 2 July 2017 CONTENTS NICHOLAS COOK Inventing Tradition: Webern’s Piano Variations in Early Recordings 163 CHRISTIAN UTZ Time-Space Experience in Works for Solo Cello by Lachenmann, Xenakis and Ferneyhough: a Performance-Sensitive Approach to Morphosyntactic Musical Analysis 216 CRITICAL FORUM ANNE M. HYLAND Steven Vande Moortele, Julie Pedneault-Deslauriers and Nathan John Martin, eds, Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno Markus Neuwirth and Pieter Berge, ´ eds, What is a Cadence? Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire 257 ROBERT L. WELLS Ruth Tatlow, Bach’s Numbers: Compositional Proportion and Significance 268 WILLIAM DRABKIN Robert P. Morgan, Becoming Heinrich Schenker: Music Theory and Ideology Heinrich Schenker, Beethoven’s Last Piano Sonatas: an Edition with Elucidation Robert P. Morgan, Music Theory, Analysis, and Society: Selected Essays 282 ELIZABETH J. MARKHAM Richard Widdess, Daph ¯ a: ¯ Sacred Singing in a South Asian City: Music, Meaning and Performance in Bhaktapur, Nepal 296

Journal

Music AnalysisWiley

Published: Jul 1, 2017

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