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George Steiner's Wager On Transcendence

George Steiner's Wager On Transcendence The paper seeks to explore the roots of Steiner's thought and particularly the theme of transcendence understood in terms of the mystery of immanence he expresses in terms of real presence. Steiner sees a significant breaking of the classic covenant between word and world occurring in the later nineteenth century. This insight, I suggest, is reinforced by a consideration of the distinction between such thinkers as Ruskin and Nietzsche and a way out of the dilemma is plotted by the linguistic philosophy which takes its cue from the work of Frege. One of the significant influences on the work of Steiner seems to be Heidegger. His study of Heidegger leads him to a consideration of language and an attempt to offer an argument for transcendence from a linguistic context. This paper suggests that Steiner offers a late twentieth‐century, linguistic version of Aquinas's Five Ways, a movement from the agnosticism of ‘I do not know’ to the affirmation ‘there is an Unknown’. Steiner argues that we come to a sense of this transcendence in the mystery of human creativity. This is a discovery made in the midst of the ordinary business of human living. It is significant, however, that the sense of Being that we encounter as we mediate on the act of artistic creation seems not to be an attempt to argue for a restatement of the ontological argument. Nietzsche's lesson has to be learnt: God cannot be talked of as an object, his presence cannot be indicated by way of ostensive definition. Steiner offers a context which allows for an encounter with the mystery of God but this encounter remains purely gratuitous. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Heythrop Journal Wiley

George Steiner's Wager On Transcendence

Phillips, Peter
The Heythrop Journal , Volume 39 (2) – Apr 1, 1998
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Publisher
Wiley
Copyright
The Editor/Blackwell Publishers Ltd 1998
ISSN
0018-1196
eISSN
1468-2265
DOI
10.1111/1468-2265.00071
Publisher site
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Abstract

The paper seeks to explore the roots of Steiner's thought and particularly the theme of transcendence understood in terms of the mystery of immanence he expresses in terms of real presence. Steiner sees a significant breaking of the classic covenant between word and world occurring in the later nineteenth century. This insight, I suggest, is reinforced by a consideration of the distinction between such thinkers as Ruskin and Nietzsche and a way out of the dilemma is plotted by the linguistic philosophy which takes its cue from the work of Frege. One of the significant influences on the work of Steiner seems to be Heidegger. His study of Heidegger leads him to a consideration of language and an attempt to offer an argument for transcendence from a linguistic context. This paper suggests that Steiner offers a late twentieth‐century, linguistic version of Aquinas's Five Ways, a movement from the agnosticism of ‘I do not know’ to the affirmation ‘there is an Unknown’. Steiner argues that we come to a sense of this transcendence in the mystery of human creativity. This is a discovery made in the midst of the ordinary business of human living. It is significant, however, that the sense of Being that we encounter as we mediate on the act of artistic creation seems not to be an attempt to argue for a restatement of the ontological argument. Nietzsche's lesson has to be learnt: God cannot be talked of as an object, his presence cannot be indicated by way of ostensive definition. Steiner offers a context which allows for an encounter with the mystery of God but this encounter remains purely gratuitous.

Journal

The Heythrop Journal – Wiley

Published: Apr 1, 1998

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