Access the full text.
Sign up today, get DeepDyve free for 14 days.
Julian Horton (2018)
Music Analysis, 37/iii
Peter H. Smith (2019)
The Type 2 Sonata in the Nineteenth Century: Two Case Studies from Mendelssohn and Dvořák, 63/i
Peter Smith (2019)
The Type 2 Sonata in the Nineteenth CenturyJournal of Music Theory
J. Brown (2011)
Schumann and the style hongrois
Steven Moortele (2013)
In Search of Romantic FormMusic Analysis, 32
James Hepokoski, Warren Darcy (2006)
Elements of Sonata Theory: Norms, Types, and Deformations in the Late‐Eighteenth‐Century Sonata
Timothy L. Jackson (1997)
Bruckner Studies
William E. Caplin (1998)
Classical Form: a Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
John Daverio (1994)
Brahms Studies
Peter Smith (2020)
Dvořák and Subordinate Theme ClosureJournal of Music Theory, 64
Peter Smith (2018)
Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvořák’s Later Chamber MusicMusic Theory Spectrum
Donald Francis Tovey (1949)
The Main Stream of Music and Other Essays
Julie Hedges Brown (2011)
Rethinking Schumann
(2008)
The Parallel Sonata Form: From Schubert's Symphonies of 1815–16 to Rachmaninov
Peter H. Smith (2020)
Dvořák and Subordinate Theme Closure: “Positive” Analytical Results for a “Negative” Approach to Romantic Form, 64/ii
J. Galand (2008)
Some Eighteenth-Century Ritornello Scripts and Their Nineteenth-Century RevivalsMusic Theory Spectrum, 30
James Hepokoski (2021)
A Sonata Theory Handbook
Steven Vande Moortele (2017)
The Concert Overture and Romantic Form from Rossini to Wagner
(2014)
Teaching Classical Form: Strict Categories vs. Flexible Analyses
P. Wingfield (2008)
Beyond‘Norms and Deformations’: Towards a Theory of Sonata Form as Reception HistoryMusic Analysis, 27
James Hepokoski, W. Darcy (2006)
Elements of Sonata Theory
(2007)
Mostly Mozart
Steven Moortele (2017)
The Romantic Overture and Musical Form from Rossini to Wagner
Peter Smith (2014)
Schumann’s Continuous Expositions and the Classical TraditionJournal of Music Theory, 58
J. Brown (2004)
Higher Echoes of the Past in the Finale of Schumann's 1842 Piano QuartetJournal of the American Musicological Society, 57
Music Analysis – Wiley
Published: Oct 1, 2021
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.