Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

Complex Hemiolas, Ski‐Hill Graphs and Metric Spaces

Complex Hemiolas, Ski‐Hill Graphs and Metric Spaces Ex. 1 Bars 3–4 Bars 1–2 Bars 9–10 * Versions of this article have been presented at SUNY-Buffalo (1994), University of Texas-Austin (1995), and at an American Brahms Society conference at Harvard (1997). My thanks to Ann Besser Scott, whose comments on the last occasion stimulated me to a richer view of Von ewiger Liebe. Music Analysis, 20/iii (2001) ß Blackwell Publishers Ltd. 2001. Published by Blackwell Publishers, 108 Cowley Road, Oxford OX4 1JF, UK RICHARD COHN respective pulses. Each column is framed by the dotted breve at the top and the crotchet at the bottom; they differ in their pairing of interior values. Each grouping, or metric state, is consonant, which is to say that adjacent pulses are related by integral (either duple or triple) ratios. The pulse values of Brahms's opening two-bar hypermeasure are aligned in the central column, and include dotted semibreve (the notated downbeat pulse) and minim. The second hypermeasure, represented in the left-hand column, preserves the minim pulse, but replaces the downbeat pulse with a new (plain) semibreve pulse that cuts across the internal bar boundary. The new pulse comes into conflict with the listener's projection of the former downbeat pulse, inducing what http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Music Analysis Wiley

Complex Hemiolas, Ski‐Hill Graphs and Metric Spaces

Music Analysis , Volume 20 (3) – Oct 1, 2001

Loading next page...
 
/lp/wiley/complex-hemiolas-ski-hill-graphs-and-metric-spaces-zDcJOYPAHO

References (0)

References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.

Publisher
Wiley
Copyright
Copyright © 2001 Wiley Subscription Services, Inc., A Wiley Company
ISSN
0262-5245
eISSN
1468-2249
DOI
10.1111/1468-2249.00141
Publisher site
See Article on Publisher Site

Abstract

Ex. 1 Bars 3–4 Bars 1–2 Bars 9–10 * Versions of this article have been presented at SUNY-Buffalo (1994), University of Texas-Austin (1995), and at an American Brahms Society conference at Harvard (1997). My thanks to Ann Besser Scott, whose comments on the last occasion stimulated me to a richer view of Von ewiger Liebe. Music Analysis, 20/iii (2001) ß Blackwell Publishers Ltd. 2001. Published by Blackwell Publishers, 108 Cowley Road, Oxford OX4 1JF, UK RICHARD COHN respective pulses. Each column is framed by the dotted breve at the top and the crotchet at the bottom; they differ in their pairing of interior values. Each grouping, or metric state, is consonant, which is to say that adjacent pulses are related by integral (either duple or triple) ratios. The pulse values of Brahms's opening two-bar hypermeasure are aligned in the central column, and include dotted semibreve (the notated downbeat pulse) and minim. The second hypermeasure, represented in the left-hand column, preserves the minim pulse, but replaces the downbeat pulse with a new (plain) semibreve pulse that cuts across the internal bar boundary. The new pulse comes into conflict with the listener's projection of the former downbeat pulse, inducing what

Journal

Music AnalysisWiley

Published: Oct 1, 2001

There are no references for this article.