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Tony Harris (2013)
The Legacy of Cornelius Cardew
Edward Venn (2006)
Cornelius Cardew's ‘Autumn '60 For Orchestra’Tempo, 60
Martin Iddon (2013)
New Music at Darmstadt: Nono, Stockhausen, Cage, and Boulez
C. Cardew (1964)
Cage and CunninghamThe Musical Times, 105
Bernstein Roberta
12
Leo Steinberg (1972)
Other Criteria: Confrontations with Twentieth?Century Art
John Cage (2016)
The Selected Letters of John Cage
L. Bailey, A. Mathew (1962)
Cornelius Cardew's OctetThe Musical Times, 103
D. Cline (2020)
Treatise and the TractatusJournal of the Royal Musical Association, 145
B. Childs (1975)
Experimental MusicMusic Educators Journal, 61
Pierre Boulez (1991)
Stocktakings from an Apprenticeship
Susan Bradshaw (1986)
Pierre Boulez: A Symposium
E. Kothe (2014)
EditorialJournal of Basic Microbiology, 54
(1968)
Notes on AMM Music with Oblique Reference to an Ethic of Improvisation
Michael Parsons (2006)
Cornelius Cardew: A Reader
David Gutkin (2012)
Drastic or Plastic?: Threads from Karlheinz Stockhausen's ?Musik und Graphik,? 1959, 50
Cornelius Cardew (1967c)
Four Works
Bailey Leonard A. (1962)
175The Musical Times, 103
Roberta Bernstein, Edith Devaney
Jasper Johns
M. Iddon, Philip Thomas (2020)
John Cage's Concert for Piano and Orchestra
Cornelius Cardew
A]: unpublished notebook, ca. 1958?9, MS Mus. 1741, Cornelius Cardew Papers
C. Cardew (1966)
One Sound: La Monte YoungThe Musical Times, 107
Gottlob Frege (1959)
The Foundations of Arithmetic
Michael Nyman (1999)
Experimental Music: Cage and Beyond
György Ligeti (1983)
Gy�rgy Ligeti in Conversation
(1983)
Cornelius Cardew
H. Hunter (1962)
Cardew's OctetThe Musical Times, 103
D. Gutkin (2016)
DRASTIC OR PLASTIC?: THREADS FROM KARLHEINZ STOCKHAUSEN'S
Yoshiaki Tono (1996)
Jasper Johns: Writings, Sketchbook Notes, Interviews
Cornelius Cardew (1962b)
Some Notes?, printed programme for the concert titled ?The Generation of Music 3
C. Cardew (1961)
Report on 'Carré': Part 2The Musical Times, 102
(1962)
Piano (Three Hands) – Morton Feldman
(1963)
Nono and Earle Brown
(1967)
Stockhausen's Plus‐Minus
Linda Horn (2011)
Ring in the new ….Journal of the American Dietetic Association, 111 1
C. Cardew (1962)
Octet '61 for Jasper Johns
(1967)
The Sounds of LaMonte Young
John Cage, Joan Retallack (1996)
Musicage: Cage Muses on Words and Music
C. Cardew (1961)
Report on Stockhausen's 'Carré'The Musical Times, 102
K. Potter (1981)
Boulez and Stockhausen, Bennett and CardewThe Musical Times, 122
Anon (1960)
417The Musical Times, 101
(1960)
The New “Musical Times
(1962)
In re La Monte Young
(1959)
His Heart Belongs to Dada
Karlheinz Stockhausen (1963)
Texte: zur elektronischen und Instrumentalen Musik
Cornelius Cardew (1971)
Treatise Handbook
C. Cardew (1961)
Notation—Interpretation, Etc.Tempo
Anon (1960)
15The Musical Times, 101
Selden Rodman (1960)
The Insiders: Rejection and Rediscovery of Man in the Arts of Our Time
David Sylvester (2002)
Interviews with American Artists
John Tilbury (2008)
Cornelius Cardew (1936?1981): a Life Unfinished
Anon (1959)
58Time, 73
Cornelius Cardew's Octet ’61 for Jasper Johns is ‘not necessarily for piano’, an epithet which gives advance warning of its eccentricity. With an adventurous presentation that encompasses radical forms of musical indeterminacy, it appears to exhibit all the hallmarks of the American Experimental tradition with which Cardew associated in the 1960s. Yet, layer upon layer of order exists below its seemingly unruly surface. Guided by a previously undocumented compositional plan, this article explores the carefully organised layout of Cardew's graphic imagery. A survey of the distribution of symbols reveals an elaborate infrastructure that exemplifies ideas inherited not from experimentalism, but rather the post‐war European avant‐garde, a discovery which problematises the distinction commonly drawn between the serial and experimental phases of Cardew's career. A concluding review of the more conventionally notated realisation embedded within his Three Winter Potatoes interrogates the unusual interplay between design in the parent work and the freedoms that it sanctions.
Music Analysis – Wiley
Published: Jul 1, 2022
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