Access the full text.
Sign up today, get DeepDyve free for 14 days.
Z. Goffer (2007)
Archaeological chemistry
(2015)
A Charola do Convento de Cristo. História e Restauro
T. Bechtold (2009)
Handbook of Natural Colorants
J. Wouters, C. Grzywacz, A. Claro (2011)
A Comparative Investigation of Hydrolysis Methods to Analyze Natural Organic Dyes by HPLC-PDA - Nine Methods, Twelve Biological Sources, Ten Dye Classes, Dyed Yarns, Pigments and PaintsStudies in Conservation, 56
E. Rosenberg (2008)
Characterisation of historical organic dyestuffs by liquid chromatography–mass spectrometryAnalytical and Bioanalytical Chemistry, 391
E. Ferreira, A. Hulme, H. Mcnab, A. Quye (2004)
The natural constituents of historical textile dyes.Chemical Society reviews, 33 6
M. Colombini, F. Modugno (2009)
Organic Mass Spectrometry in Art and Archaeology
M. Colombini, F. Modugno, R. Fuoco, A. Tognazzi (2002)
A GC-MS study on the deterioration of lipidic paint bindersMicrochemical Journal, 73
J Wouters, CM Grzywacz, AA. Claro (2011)
Comparative investigation of hydrolysis methods to analyze natural organic dyes by HPLC‐PDA, 56
J Kirby, M Spring, C. Higgit (2007)
The technology of eighteenth‐ and nineteenth‐century red lake pigments, 28
A. Andreotti, I. Bonaduce, M. Colombini, G. Gautier, F. Modugno, E. Ribechini (2006)
Combined GC/MS analytical procedure for the characterization of glycerolipid, waxy, resinous, and proteinaceous materials in a unique paint microsample.Analytical chemistry, 78 13
B. Szostek, Jowita Orska-Gawryś, I. Surowiec, M. Trojanowicz (2003)
Investigation of natural dyes occurring in historical Coptic textiles by high-performance liquid chromatography with UV-Vis and mass spectrometric detection.Journal of chromatography. A, 1012 2
T. Bechtold (2009)
Natural Colorants – Quinoid, Naphthoquinoid and Anthraquinoid Dyes
J. Mills (1966)
The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil FilmsStudies in Conservation, 11
This work presents the results of the analysis of the organic materials (red lakes and binders) from the flesh tones, wings, and vests of the angels from the mural paintings from the Charola of the Convent of Tomar. Pyrolysis coupled to gas chromatography and mass spectrometry (Py‐GC/MS) was selected for the identification of binders, and liquid chromatography coupled to diode array and MS detection (LC/DAD/MS) was used for the identification of lakes in the red paint layers. © 2015 Wiley Periodicals, Inc. Col Res Appl, 41, 258–262, 2016
Color Research & Application – Wiley
Published: Jun 1, 2016
Keywords: ; ; ; ;
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.