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About the authors Apparent Stripe Width” they describe the experiment and the analysis of the results. In this article the authors also discuss how the vergence angle affects color assimilation. Our next article provides a transition from the articles on vision and how we see to the topic of instrumental measurement. Our perception of object color is influenced by the surface of the material. At times manufacturers use this for special advantage, say for example by adding the clear top coats on automobiles to enhance design effects, or in a lab to remove the effects of gloss on the measurement of the intrinsic color of a material. Lionel Simonot and Mady Elias are interested in another application, the preservation of art works. While a varnish layer protects the picture, it also changes the appearance of the painting. In “Change in Color Due to a Varnish Layer” they discuss what we see and how we measure the work of art. In addition to aiding in restoration, they can predict what the painting will look like without the varnish layer. Moving to measurement issues, “Uncertainty Analysis for Reflectance Colorimetry” has been a major concern for the past couple of years. This is the http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Color Research & Application Wiley

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Color Research & Application , Volume 29 (3) – Jun 1, 2004
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Publisher
Wiley
Copyright
Copyright © 2004 Wiley Periodicals, Inc.
ISSN
0361-2317
eISSN
1520-6378
DOI
10.1002/col.20015
Publisher site
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Abstract

Apparent Stripe Width” they describe the experiment and the analysis of the results. In this article the authors also discuss how the vergence angle affects color assimilation. Our next article provides a transition from the articles on vision and how we see to the topic of instrumental measurement. Our perception of object color is influenced by the surface of the material. At times manufacturers use this for special advantage, say for example by adding the clear top coats on automobiles to enhance design effects, or in a lab to remove the effects of gloss on the measurement of the intrinsic color of a material. Lionel Simonot and Mady Elias are interested in another application, the preservation of art works. While a varnish layer protects the picture, it also changes the appearance of the painting. In “Change in Color Due to a Varnish Layer” they discuss what we see and how we measure the work of art. In addition to aiding in restoration, they can predict what the painting will look like without the varnish layer. Moving to measurement issues, “Uncertainty Analysis for Reflectance Colorimetry” has been a major concern for the past couple of years. This is the

Journal

Color Research & Application – Wiley

Published: Jun 1, 2004

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