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Those Golden Balls Down Yonder Tree: Oranges and the Politics of Reconstruction in Harriet Beecher Stowe's Florida

Those Golden Balls Down Yonder Tree: Oranges and the Politics of Reconstruction in Harriet... Essa y .................... Those Golden Balls Down Yonder Tree Oranges and the Politics of Reconstruction in Harriet Beecher Stowe’s Florida by Shana Klein “My part this winter has been painting orange trees as they look in our back lot loaded with clusters of oranges, green and ripe and with blossoms . . . I have painted them as they look against a blue sky.” “Orange Fruit & Blossoms,” oil on canvas, c. 1867– 1884, by Harriet Beecher Stowe, courtesy of the Harriet Beecher Stowe Center, Hartford, CT. 30 n the years following the Civil War, famed author and - aboli tionist Harriet Beecher Stowe painted a number of canvases of Florida oranges. One in particular resembles the view from Stowe’s window, displaying a cluster of fruit cascading down  I a leafy tree. Stowe completed this painting after 1867, when she purchased an orange grove in Mandarin, Florida—a move southward that might have seemed a curious decision for an ardent abolitionist. But purchasing southern land and transforming former plantations into smaller cotton farms and orange groves was considered at the time a charitable act to revitalize the devas- tated region and transform its political climate. Florida, in particular, was in http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Southern Cultures University of North Carolina Press

Those Golden Balls Down Yonder Tree: Oranges and the Politics of Reconstruction in Harriet Beecher Stowe's Florida

Southern Cultures , Volume 23 (3) – Oct 31, 2017

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Publisher
University of North Carolina Press
Copyright
Copyright © Center for the Study of the American South.
ISSN
1534-1488

Abstract

Essa y .................... Those Golden Balls Down Yonder Tree Oranges and the Politics of Reconstruction in Harriet Beecher Stowe’s Florida by Shana Klein “My part this winter has been painting orange trees as they look in our back lot loaded with clusters of oranges, green and ripe and with blossoms . . . I have painted them as they look against a blue sky.” “Orange Fruit & Blossoms,” oil on canvas, c. 1867– 1884, by Harriet Beecher Stowe, courtesy of the Harriet Beecher Stowe Center, Hartford, CT. 30 n the years following the Civil War, famed author and - aboli tionist Harriet Beecher Stowe painted a number of canvases of Florida oranges. One in particular resembles the view from Stowe’s window, displaying a cluster of fruit cascading down  I a leafy tree. Stowe completed this painting after 1867, when she purchased an orange grove in Mandarin, Florida—a move southward that might have seemed a curious decision for an ardent abolitionist. But purchasing southern land and transforming former plantations into smaller cotton farms and orange groves was considered at the time a charitable act to revitalize the devas- tated region and transform its political climate. Florida, in particular, was in

Journal

Southern CulturesUniversity of North Carolina Press

Published: Oct 31, 2017

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