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Struggling with Robert E. Lee

Struggling with Robert E. Lee ESSAY ...................... by Michael Fellman Robert E. Lee kept the entire world at great distance and his feelings so guarded that even he did not appear to know their contents very well. Captain Robert E. Lee, from a portrait taken in 1852, published in A. L. Long's Memoirs of Robert E. Lee: His Military and Personal History, J. M. Stoddart & Company, 1887. n a recent essay on Anton Chekhov published in The New Yorker, Janet Malcolm asserted that "the letters and journals we leave behind and the impressions we have made on our contemporaries are the mere husk of the kernel of our essential life. When we die, the kernel is buried with us. This is the horror and pity of death and the reason for the inescapable triviality of biography." As a biographer, I agree with Malcolm in some absolute sense. Writers are capable of capturing only part of experience, though you don't have to be a raving postmodernist to dispute her essentialism: after all, the power is always in the most creative possible telling of a particular version consistent with the data, even if the book offers only one of several possible stories. Malcolm is http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Southern Cultures University of North Carolina Press

Struggling with Robert E. Lee

Southern Cultures , Volume 8 (3) – Aug 1, 2002

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Publisher
University of North Carolina Press
Copyright
Copyright © 2002 Center for the Study of the American South.
ISSN
1534-1488
Publisher site
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Abstract

ESSAY ...................... by Michael Fellman Robert E. Lee kept the entire world at great distance and his feelings so guarded that even he did not appear to know their contents very well. Captain Robert E. Lee, from a portrait taken in 1852, published in A. L. Long's Memoirs of Robert E. Lee: His Military and Personal History, J. M. Stoddart & Company, 1887. n a recent essay on Anton Chekhov published in The New Yorker, Janet Malcolm asserted that "the letters and journals we leave behind and the impressions we have made on our contemporaries are the mere husk of the kernel of our essential life. When we die, the kernel is buried with us. This is the horror and pity of death and the reason for the inescapable triviality of biography." As a biographer, I agree with Malcolm in some absolute sense. Writers are capable of capturing only part of experience, though you don't have to be a raving postmodernist to dispute her essentialism: after all, the power is always in the most creative possible telling of a particular version consistent with the data, even if the book offers only one of several possible stories. Malcolm is

Journal

Southern CulturesUniversity of North Carolina Press

Published: Aug 1, 2002

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