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Spenser's Redcrosse Knight and the Order of Salvation

Spenser's Redcrosse Knight and the Order of Salvation Spenser’s Redcrosse Knight and the Order of Salvation by James W. Broaddus On every matter of faith, doctrine, and belief invited by an allegorical reading of his poem, Spenser responds: “Thou saist it,” for he only tells his story. A. C. Hamilton 1 N the 1960s, readin gs of the adv entures of the Redcrosse Knight as a fall and a consequent restora tion or redem ption supplanted earlier I   readin gs of those adv entures as the ed ucation and gro wth of a Chris- tian knight and subsequently gave direct ion to la ter theological inter- pretation.2 More recen tly, shifts of critical interest have encoura ged the Edmund Spenser, The Faerie Queene, ed. A. C. Hamilto n; text ed. Hiroshi yamashit a 1  and Toshiyuki Suzuki (London: Longman Press , 2001), 8. All subsequent citations to The Faerie Queene are fro m this edition and will be cited paren thetically within the text by book, canto ,and stanza. I have in mind es pecially the 1960s readin gs of A. C. Hamilto n (The Structure of 2  Allegory in “The Faerie Queene” [Oxford: Oxford University Press , 1961]); editors Robert Kellogg and Oliver Steele (Edmund http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Studies in Philology University of North Carolina Press

Spenser's Redcrosse Knight and the Order of Salvation

Studies in Philology , Volume 108 (4) – Oct 13, 2011

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Publisher
University of North Carolina Press
Copyright
Copyright © 2008 The University of North Carolina Press.
ISSN
1543-0383

Abstract

Spenser’s Redcrosse Knight and the Order of Salvation by James W. Broaddus On every matter of faith, doctrine, and belief invited by an allegorical reading of his poem, Spenser responds: “Thou saist it,” for he only tells his story. A. C. Hamilton 1 N the 1960s, readin gs of the adv entures of the Redcrosse Knight as a fall and a consequent restora tion or redem ption supplanted earlier I   readin gs of those adv entures as the ed ucation and gro wth of a Chris- tian knight and subsequently gave direct ion to la ter theological inter- pretation.2 More recen tly, shifts of critical interest have encoura ged the Edmund Spenser, The Faerie Queene, ed. A. C. Hamilto n; text ed. Hiroshi yamashit a 1  and Toshiyuki Suzuki (London: Longman Press , 2001), 8. All subsequent citations to The Faerie Queene are fro m this edition and will be cited paren thetically within the text by book, canto ,and stanza. I have in mind es pecially the 1960s readin gs of A. C. Hamilto n (The Structure of 2  Allegory in “The Faerie Queene” [Oxford: Oxford University Press , 1961]); editors Robert Kellogg and Oliver Steele (Edmund

Journal

Studies in PhilologyUniversity of North Carolina Press

Published: Oct 13, 2011

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