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Shelley’s Quest for Persian Love

Shelley’s Quest for Persian Love Elham NilchiaN The Romantic period bears witness to a scene where the Romantic subject is capable of selflessness and loss of self in its interaction with an ideal visionary be- loved. The Romantics pursue a sense of mystical oneness with the divine—God, Nature, or an ideal beloved—in a moment in which the Romantic subject seeks perfection through obliteration of its own self in the face of the idealised other con- ceived as a whole. The male subject’s search for an ideal female other and his desire to lose self in order to become one with her has connections with Sufism, where this loss of self is referred to as fa. I naa n this article I intend to examine such mo- ments of the Romantic subject’s selos lf-s in his beloved other, with special r-efer ence to Persian Sufi literature and the extent to which Shelley was inspired by and employed its motifs and images in his poetry. In order to gain insight into Shelley’s perspective on the idea olos f ss a elf- nd how he was inspired by Persian literature to draw on this Sufi idea, I will look into the critical field in relation to Romanticism http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Comparatist University of North Carolina Press

Shelley’s Quest for Persian Love

The Comparatist , Volume 40 – Nov 11, 2016

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Publisher
University of North Carolina Press
Copyright
Copyright © Southern Comparative Literature Association.
ISSN
1559-0887

Abstract

Elham NilchiaN The Romantic period bears witness to a scene where the Romantic subject is capable of selflessness and loss of self in its interaction with an ideal visionary be- loved. The Romantics pursue a sense of mystical oneness with the divine—God, Nature, or an ideal beloved—in a moment in which the Romantic subject seeks perfection through obliteration of its own self in the face of the idealised other con- ceived as a whole. The male subject’s search for an ideal female other and his desire to lose self in order to become one with her has connections with Sufism, where this loss of self is referred to as fa. I naa n this article I intend to examine such mo- ments of the Romantic subject’s selos lf-s in his beloved other, with special r-efer ence to Persian Sufi literature and the extent to which Shelley was inspired by and employed its motifs and images in his poetry. In order to gain insight into Shelley’s perspective on the idea olos f ss a elf- nd how he was inspired by Persian literature to draw on this Sufi idea, I will look into the critical field in relation to Romanticism

Journal

The ComparatistUniversity of North Carolina Press

Published: Nov 11, 2016

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