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Landfall

Landfall eRiCA lANgStON am thirteen, standing in front of the full-length mirror in the bathroom, naked. Florida summer heat presses hard against the house, seeping in through thin walls. It's hurricane season. The window unit chugs and sputters in an attempt to trim thick waves of heat into wisps of cool relief. It's failing. The air is stagnant. My hands and armpits are clammed with sweat. My body is ashen and blurred against the sickly pink walls reflecting in the mirror. The shower drips uninterrupted. Baby fat clings to large curves that should be sharply defined by now. Other areas are overdeveloped, underdeveloped, misshaped, and awkward. I wonder how this would be divided on a butcher's chart. Dense shoulders, a rigid square chest with two banana-boobs splayed in opposite directions, a deep belly button, all rest on two giant loaves of raw dough. Parts that were once taught move and jiggle. Things are not so uniform any more. I dry off, put on my clothes, and make my way to the backyard where my mother is waiting with splintered wood and rusty screws. A storm is coming. My mother is crouched at the foot of an unbalanced ladder. The http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Appalachian Review University of North Carolina Press

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Publisher
University of North Carolina Press
Copyright
Copyright © Berea College
ISSN
1940-5081
Publisher site
See Article on Publisher Site

Abstract

eRiCA lANgStON am thirteen, standing in front of the full-length mirror in the bathroom, naked. Florida summer heat presses hard against the house, seeping in through thin walls. It's hurricane season. The window unit chugs and sputters in an attempt to trim thick waves of heat into wisps of cool relief. It's failing. The air is stagnant. My hands and armpits are clammed with sweat. My body is ashen and blurred against the sickly pink walls reflecting in the mirror. The shower drips uninterrupted. Baby fat clings to large curves that should be sharply defined by now. Other areas are overdeveloped, underdeveloped, misshaped, and awkward. I wonder how this would be divided on a butcher's chart. Dense shoulders, a rigid square chest with two banana-boobs splayed in opposite directions, a deep belly button, all rest on two giant loaves of raw dough. Parts that were once taught move and jiggle. Things are not so uniform any more. I dry off, put on my clothes, and make my way to the backyard where my mother is waiting with splintered wood and rusty screws. A storm is coming. My mother is crouched at the foot of an unbalanced ladder. The

Journal

Appalachian ReviewUniversity of North Carolina Press

Published: Nov 12, 2014

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