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From Balzac to Iraq: Soldiers, Veterans, and Military Adaptation

From Balzac to Iraq: Soldiers, Veterans, and Military Adaptation brian martin From Balzac to Iraq Soldiers, Veterans, and Military Adaptation introduction After his tour of duty on the battlefields of a distant land, a wounded soldier returns home from the horrors of war to discover that the very nation which sent him off to battle with parades and cheers is uninterested in his suffering or his welfare. The familiarity of this scene underscores its endless and tragic adaptability to millen- nia of imperial conquest, human suffering, and cultural production. One could as easily be speaking of ancient warriors returning from the Trojan War or of recent recruits returning from the war in Iraq. In his Napoleonic novella, Le Colonel Chabert (1832), Honoré de Balzac investi- gates the trauma of imperial warfare, military invasion, and veteran return in terms that echo the soldierly suffering of ancient texts and that presage future military misery in later wars, and in the texts and films they inspire. From Troy and Water- loo to Verdun and Normandy, from Saigon and Algiers to Fallujah and Baghdad, literary and cinematic representations provide a horrifying record of violent adap- tation. Military technologies and instruments of violence change, but the narra- tives of bodily mutilation, military carnage, http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Comparatist University of North Carolina Press

From Balzac to Iraq: Soldiers, Veterans, and Military Adaptation

The Comparatist , Volume 30 – Apr 26, 2006

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Publisher
University of North Carolina Press
Copyright
Copyright © 2006 the Southern Comparative Literature Association.
ISSN
1559-0887

Abstract

brian martin From Balzac to Iraq Soldiers, Veterans, and Military Adaptation introduction After his tour of duty on the battlefields of a distant land, a wounded soldier returns home from the horrors of war to discover that the very nation which sent him off to battle with parades and cheers is uninterested in his suffering or his welfare. The familiarity of this scene underscores its endless and tragic adaptability to millen- nia of imperial conquest, human suffering, and cultural production. One could as easily be speaking of ancient warriors returning from the Trojan War or of recent recruits returning from the war in Iraq. In his Napoleonic novella, Le Colonel Chabert (1832), Honoré de Balzac investi- gates the trauma of imperial warfare, military invasion, and veteran return in terms that echo the soldierly suffering of ancient texts and that presage future military misery in later wars, and in the texts and films they inspire. From Troy and Water- loo to Verdun and Normandy, from Saigon and Algiers to Fallujah and Baghdad, literary and cinematic representations provide a horrifying record of violent adap- tation. Military technologies and instruments of violence change, but the narra- tives of bodily mutilation, military carnage,

Journal

The ComparatistUniversity of North Carolina Press

Published: Apr 26, 2006

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