Access the full text.
Sign up today, get DeepDyve free for 14 days.
References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.
MARY LEE SETTLE INTERVIEWS Matthew J. Bruccoli Mary Lee Settle: The Beulah Quintet manuscript is one of the last handwritten manuscripts on large art paper. It'll never fade. I wrote it that way because I don't see very well. Matthew J. Bruccoli: I remember your telling me about writing in the British Museum Reading Room and using different color pens because of your eyesight problem. George Garrett said you're moving back to Charlottesville. MLS: Well, I am because I am writing my last book, and damn it to hell it's gonna be my last book. After that, I don't know what I'm gonna do. You know what I hope happens, Matt? I hope that when I write this that it is the crown of my whole life's work. The Beulah Quintet, and I still didn't find how we got the separation of church and state. So I wrote about Roger Williams. Now, I'm writing about what came into the mind of a gangling 9 to 14-year-old in a frontier county, who had had to live with rich relations up til the time he was nine. Who was surrounded by disenters, so that the first thing that he, when
Appalachian Review – University of North Carolina Press
Published: Jan 8, 2006
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.