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Chaucer Reads "The Divine Comedy" (review)

Chaucer Reads "The Divine Comedy" (review) Lee Patterson The Comparatist, Volume 16, May 1992, pp. 141-142 (Review) Published by The University of North Carolina Press DOI: https://doi.org/10.1353/com.1992.0019 For additional information about this article https://muse.jhu.edu/article/415072/summary Access provided at 18 Feb 2020 11:12 GMT from JHU Libraries THE COMPARATIST Other chapters, on "Romantic Poetry and the Institutionalizing of Value," and on "Evaluation as Justification and Performance: The Leech Gatherer as Testing Ground," in the "Value in History" section; on "Theories of Roman- ticism: From a Theory of Genre to the Genre of Theory," on "The History in Opera: La clemenza di Tito, Khovanshchina, Moses and Awn," and on "The Literature in History: Danton's Death in the Texts of Revolutions," in the "Genre in History" section; and on the new historicism, in the "Institutions" section, are equally rich in historical insights and information. The book ends with an epilogue in the form of an interview, where Lin- denberger ironizes to himself, expressing his views, for example, on the new historicism as both a valuable corrective to earlier trends, and "the only viable career move the past ten years," demonstrating that "canon change is as nor- mal in criticism as in literature." Finally, he predicts that the issue for http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Comparatist University of North Carolina Press

Chaucer Reads "The Divine Comedy" (review)

The Comparatist , Volume 16 – Oct 3, 2012

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Publisher
University of North Carolina Press
Copyright
Copyright © Southern Comparative Literature Association.
ISSN
1559-0887

Abstract

Lee Patterson The Comparatist, Volume 16, May 1992, pp. 141-142 (Review) Published by The University of North Carolina Press DOI: https://doi.org/10.1353/com.1992.0019 For additional information about this article https://muse.jhu.edu/article/415072/summary Access provided at 18 Feb 2020 11:12 GMT from JHU Libraries THE COMPARATIST Other chapters, on "Romantic Poetry and the Institutionalizing of Value," and on "Evaluation as Justification and Performance: The Leech Gatherer as Testing Ground," in the "Value in History" section; on "Theories of Roman- ticism: From a Theory of Genre to the Genre of Theory," on "The History in Opera: La clemenza di Tito, Khovanshchina, Moses and Awn," and on "The Literature in History: Danton's Death in the Texts of Revolutions," in the "Genre in History" section; and on the new historicism, in the "Institutions" section, are equally rich in historical insights and information. The book ends with an epilogue in the form of an interview, where Lin- denberger ironizes to himself, expressing his views, for example, on the new historicism as both a valuable corrective to earlier trends, and "the only viable career move the past ten years," demonstrating that "canon change is as nor- mal in criticism as in literature." Finally, he predicts that the issue for

Journal

The ComparatistUniversity of North Carolina Press

Published: Oct 3, 2012

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