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Bearing the Burden of Loss: Melancholic Agency in Charles W. Chesnutt’s Paul Marchand, FMC by Lynn R. Johnson Although a number of scholars have focused on the titular protag- onist in analyzing the arbitrary constructions of race and the performances of racial identities in Charles W. Chesnutt’s Paul Marchand, FMC, few have fully explored the ways in which the author deploys the novel to “personify history and create entities that represent those people who seem lost to the offi cial record but demand attention nevertheless” (Tettenborn 114). Indeed, Chesnutt embeds in the main plotline of Paul Marchand, FMC an account of the subject an enslaved black Saint-Dominguan woman formation of Zabet Philosophe, who, at the behest of her owner, fl ees Haiti with her master’s children during the 1793 revolution and later infl uences the destiny of the wealthy Beaurepas family of New Orleans. As I argue, Zabet Philosophe’s biographical narrative is developed as a response to white Saint-Dominguan refugees’ historical erasure of black Haitians’ subjectivity in their descriptions of the war and their trans- national emigration to the United States. Th rough Zabet’s story, Chesnutt, consequently, endows the cake woman with the authority to reveal the black refugee’s
The Southern Literary Journal – University of North Carolina Press
Published: May 29, 2015
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