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Artists, Aesthetics, and Family Politics in Donoso's El obsceno pâjaro de la noche and James's The Golden Bowl

Artists, Aesthetics, and Family Politics in Donoso's El obsceno pâjaro de la noche and... Artists, Aesthetics, and Family Politics in Donoso's El obsceno pâjaro de la noche and James's The Golden Bowl Scott Pollard The Comparatist, Volume 23, May 1999, pp. 40-62 (Article) Published by The University of North Carolina Press DOI: https://doi.org/10.1353/com.1999.0002 For additional information about this article https://muse.jhu.edu/article/415137/summary Access provided at 18 Feb 2020 11:15 GMT from JHU Libraries ARTISTS, AESTHETICS, AND FAMILY POLITICS IN DONOSO'S EL OBSCENO PÁJARO DE LA NOCHE AND JAMES'S THE GOLDEN BOWL Scott Pollard Every man who has reached even his intellectual teens begins to suspect that life is noforce; that it is not genteel comedy even; that itflowers andfructifies on the contrary out of the profoundest tragic depths of the essential dearth in which its subject's roots are plunged. The natural inheritance ofeveryone who is capable of spiritual life is an unsubduedforest where the wolfhowls and the obscene bird of night chatters. Henry James, Sr., writing to his sons Henry and William I. The Chilean noveUst, José Donoso (1924-1997), was a member of Latin America's "Boom" generation. These authors, including JuUo Cortázar, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa, came to the attention of the world Uterary community during the 1960s be- cause http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png The Comparatist University of North Carolina Press

Artists, Aesthetics, and Family Politics in Donoso's El obsceno pâjaro de la noche and James's The Golden Bowl

Pollard, Scott T.
The Comparatist , Volume 23 – Oct 3, 2012
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Publisher
University of North Carolina Press
Copyright
Copyright © Southern Comparative Literature Association.
ISSN
1559-0887

Abstract

Artists, Aesthetics, and Family Politics in Donoso's El obsceno pâjaro de la noche and James's The Golden Bowl Scott Pollard The Comparatist, Volume 23, May 1999, pp. 40-62 (Article) Published by The University of North Carolina Press DOI: https://doi.org/10.1353/com.1999.0002 For additional information about this article https://muse.jhu.edu/article/415137/summary Access provided at 18 Feb 2020 11:15 GMT from JHU Libraries ARTISTS, AESTHETICS, AND FAMILY POLITICS IN DONOSO'S EL OBSCENO PÁJARO DE LA NOCHE AND JAMES'S THE GOLDEN BOWL Scott Pollard Every man who has reached even his intellectual teens begins to suspect that life is noforce; that it is not genteel comedy even; that itflowers andfructifies on the contrary out of the profoundest tragic depths of the essential dearth in which its subject's roots are plunged. The natural inheritance ofeveryone who is capable of spiritual life is an unsubduedforest where the wolfhowls and the obscene bird of night chatters. Henry James, Sr., writing to his sons Henry and William I. The Chilean noveUst, José Donoso (1924-1997), was a member of Latin America's "Boom" generation. These authors, including JuUo Cortázar, Carlos Fuentes, Gabriel García Márquez, and Mario Vargas Llosa, came to the attention of the world Uterary community during the 1960s be- cause

Journal

The Comparatist – University of North Carolina Press

Published: Oct 3, 2012

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