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Anti-Court Satire, Religious Polemic, and the Many Faces of Antichrist: An Intertextual Reading of Donne’s “Satyre 4” and Spenser’s Faerie Queene

Anti-Court Satire, Religious Polemic, and the Many Faces of Antichrist: An Intertextual Reading... Edmund Spenser’s <i>Faerie Queene</i> and John Donne’s “Satyre 4” are related in several ways; both works critique the vices of the Elizabethan court, both feature a putatively virtuous individual’s morally compromising sojourn at court, both explicitly address the didactic function of poetry, and both—according to Joseph Wybarne’s <i>The New Age of Old Names</i> (1609)—portray the Antichrist in terms that evoke Roman Catholic polemical writing. These points of intertextual correspondence invite a reading of Donne’s “Satyre 4” that explores the images, narrative details, and thematic emphases shared by Donne’s poem and specific episodes in Spenser’s allegory: Redcrosse’s battle with Errour and his visit to the House of Pride in book 1 and the defeat of Malengin in book 5. Wybarne’s commentary, which links Spenser’s and Donne’s works to the writings of the Counter-Reformation polemicist Fr. Nicholas Sander, helps to establish an early seventeenth-century reader’s perspective on these texts’ relationships to one another and facilitates new insights into Donne’s satirical agenda. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Studies in Philology University of North Carolina Press

Anti-Court Satire, Religious Polemic, and the Many Faces of Antichrist: An Intertextual Reading of Donne’s “Satyre 4” and Spenser’s Faerie Queene

DiPasquale, Theresa M., --
Studies in Philology , Volume 112 (2) – Apr 23, 2015
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Publisher
University of North Carolina Press
Copyright
Copyright © 2008 The University of North Carolina Press.
ISSN
1543-0383

Abstract

Edmund Spenser’s <i>Faerie Queene</i> and John Donne’s “Satyre 4” are related in several ways; both works critique the vices of the Elizabethan court, both feature a putatively virtuous individual’s morally compromising sojourn at court, both explicitly address the didactic function of poetry, and both—according to Joseph Wybarne’s <i>The New Age of Old Names</i> (1609)—portray the Antichrist in terms that evoke Roman Catholic polemical writing. These points of intertextual correspondence invite a reading of Donne’s “Satyre 4” that explores the images, narrative details, and thematic emphases shared by Donne’s poem and specific episodes in Spenser’s allegory: Redcrosse’s battle with Errour and his visit to the House of Pride in book 1 and the defeat of Malengin in book 5. Wybarne’s commentary, which links Spenser’s and Donne’s works to the writings of the Counter-Reformation polemicist Fr. Nicholas Sander, helps to establish an early seventeenth-century reader’s perspective on these texts’ relationships to one another and facilitates new insights into Donne’s satirical agenda.

Journal

Studies in Philology – University of North Carolina Press

Published: Apr 23, 2015

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