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We Gotta Get Out of This Place: The Soundtrack of the Vietnam War by Doug Bradley and Craig Werner (review)

We Gotta Get Out of This Place: The Soundtrack of the Vietnam War by Doug Bradley and Craig... 530 American Music, Winter 2018 to any library of an institution that offers Jewish studies and Yiddish studies programs, as well as musicology and American studies. it also serves well as a performance edition and thus hopefully finds itself in the music theater world, where it rightfully belongs. Di goldene kale’s universal social topics have never been timelier, its hopefulness never been more needed, as mirrored in misha’s “A Greeting from the New russia,” from the second act: A grus vel ikh aykh its opgebn Fun a land vos vet nay oyfgeshtelt, Vu es zidt un e kokht a nay lebn, A fraye, a bliende velt. i’ll give you a greeting now From a land that’s being newly rebuilt, Where a new life is sown and taking shape, A free and blooming world. t ina Frühauf Répertoire International de Littérature Musicale and Columbia University Note 1. Paola bertolone, “the t ext of Goldfaden’s Di kishefmakherin and the operetta t radi- tion,” in Yiddish Theatre: New Approaches, ed. Joel berkowitz (london: littman library of Jewish Civilization, 2003), 77–86; Joel berkowitz and barbara Henry, eds., Inventing the Modern Yiddish Stage: Essays in Drama, Performance, and Show Business (Detroit: Wayne State university http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png American Music University of Illinois Press

We Gotta Get Out of This Place: The Soundtrack of the Vietnam War by Doug Bradley and Craig Werner (review)

American Music , Volume 36 (4) – Feb 4, 2019

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Publisher
University of Illinois Press
ISSN
1945-2349

Abstract

530 American Music, Winter 2018 to any library of an institution that offers Jewish studies and Yiddish studies programs, as well as musicology and American studies. it also serves well as a performance edition and thus hopefully finds itself in the music theater world, where it rightfully belongs. Di goldene kale’s universal social topics have never been timelier, its hopefulness never been more needed, as mirrored in misha’s “A Greeting from the New russia,” from the second act: A grus vel ikh aykh its opgebn Fun a land vos vet nay oyfgeshtelt, Vu es zidt un e kokht a nay lebn, A fraye, a bliende velt. i’ll give you a greeting now From a land that’s being newly rebuilt, Where a new life is sown and taking shape, A free and blooming world. t ina Frühauf Répertoire International de Littérature Musicale and Columbia University Note 1. Paola bertolone, “the t ext of Goldfaden’s Di kishefmakherin and the operetta t radi- tion,” in Yiddish Theatre: New Approaches, ed. Joel berkowitz (london: littman library of Jewish Civilization, 2003), 77–86; Joel berkowitz and barbara Henry, eds., Inventing the Modern Yiddish Stage: Essays in Drama, Performance, and Show Business (Detroit: Wayne State university

Journal

American MusicUniversity of Illinois Press

Published: Feb 4, 2019

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