Access the full text.
Sign up today, get DeepDyve free for 14 days.
References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.
RON RODMAN Television Genre / Musical Genre / Expressive Genre Here’s the story, of a lovely lady, Who was bringing up three very lovely girls. It’s 1970 in Anytown, USA. You walk over to the television set, pull the on/off button, twist the channel selection knob, adjust the “rabbit ears,” and tune into your favorite situation comedy, The Brady Bunch, a squeaky- clean story of a blended family living in southern California. And you sing along with the catchy opening theme song, which tells the backstory of the show in tune and verse. Now you are ready to enjoy thirty minutes of madcap family fun. Fast forward to 2018. You turn on all three of your remote controls, push the Cbl/Sat button on one remote, and then select the Netflix option for your cable server selections. From the Netflix menu, you select the program The Crown, which you heard was a highly acclaimed docudrama about Queen Elizabeth II. The episode opens not with a singsong jingle about blended families but with a grand, cinema- like opening theme by Hans Zimmer (a renowned film composer). So while you consider press - ing the Skip Intro button to get right to
American Music – University of Illinois Press
Published: Nov 28, 2019
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.