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Neoclassical Music in America: Voices of Clarity and Restraint by R. James Tobin (review)

Neoclassical Music in America: Voices of Clarity and Restraint by R. James Tobin (review) 138 American Music, Spring 2016 No Te S 1. Walter J. o ng, Orality and Literacy: The Technologizing of the Word, 2nd ed. (l ondon: r outledge, 2002), 132–35. 2. See James Clifford and g eorge e . marcus, Writing Culture: The Poetics and Politics of Ethnography (berkeley: u niversity of California press, 1986). 3. David Ake, Jazz Cultures (berkeley: u niversity of California press, 2002), 112–45. 4. David Ake, Jazz Matters: Sound, Place, and Time since Bebop (berkeley: u niversity of California press, 2010), 102–20. 5. John p. murphy, “beyond the improvisation Class: l earning to improvise in a u ni- versity Jazz program,” in Musical Improvisation: Art, Education, Society, ed. g abriel Solis and bruno Nettl (u rbana: u niversity of illinois press, 2009), 185–99. Neoclassical Music in America: Voices of Clarity and Restraint. by r . James Tobin. l anham, m D: r owman & l ittlefield, 2014. iSbN 978-0- 8108- 8439- 7. Hardcover. pp. xv, 283. $55.00. This book surveys a body of music that major ensembles perform rarely and that broader histories of twentieth- century music cover sparsely, if at all. Cultural gatekeepers have tended to favor a view of the twentieth century that http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png American Music University of Illinois Press

Neoclassical Music in America: Voices of Clarity and Restraint by R. James Tobin (review)

Ross, Ryan
American Music , Volume 34 (1) – May 27, 2016
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Publisher
University of Illinois Press
ISSN
1945-2349

Abstract

138 American Music, Spring 2016 No Te S 1. Walter J. o ng, Orality and Literacy: The Technologizing of the Word, 2nd ed. (l ondon: r outledge, 2002), 132–35. 2. See James Clifford and g eorge e . marcus, Writing Culture: The Poetics and Politics of Ethnography (berkeley: u niversity of California press, 1986). 3. David Ake, Jazz Cultures (berkeley: u niversity of California press, 2002), 112–45. 4. David Ake, Jazz Matters: Sound, Place, and Time since Bebop (berkeley: u niversity of California press, 2010), 102–20. 5. John p. murphy, “beyond the improvisation Class: l earning to improvise in a u ni- versity Jazz program,” in Musical Improvisation: Art, Education, Society, ed. g abriel Solis and bruno Nettl (u rbana: u niversity of illinois press, 2009), 185–99. Neoclassical Music in America: Voices of Clarity and Restraint. by r . James Tobin. l anham, m D: r owman & l ittlefield, 2014. iSbN 978-0- 8108- 8439- 7. Hardcover. pp. xv, 283. $55.00. This book surveys a body of music that major ensembles perform rarely and that broader histories of twentieth- century music cover sparsely, if at all. Cultural gatekeepers have tended to favor a view of the twentieth century that

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American Music – University of Illinois Press

Published: May 27, 2016

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