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Music for the Melodramatic Theatre in Nineteenth-Century London & New York by Michael V. Pisani (review)

Music for the Melodramatic Theatre in Nineteenth-Century London & New York by Michael V. Pisani... book r eviews 397 among ourselves while holding accountable those in violation. We should look for “positivity” and “potential” in our work and the work of our colleagues and students. We must advocate for our own well-being and that of our colleagues and students. Can we make love, care, empathy, and respect foundations of our discipline rather than occasional by- products? Cheng concludes by questioning: “In the event we sound bad, who will care? a s we slow down, who will keep pace? If we break, who will put us back together again? Should our lives shatter, whose reflections will show up in the shards?” (102). e verette Scott Smith Southeastern Louisiana University No Te 1. r oger Caillois, Man, Play and Games, trans. m eyer b arash (u rbana: u niversity of Illinois Press, 2001). o riginally published in 1958 as Les jeux et les hommes and first translated into e nglish in 1961. Music for the Melodramatic Theatre in Nineteenth- Century London & New York. b y m ichael V. Pisani. Studies in Theatre History and Culture Series. Iowa City: u niversity of Iowa Press, 2014. ISbN: 978-1-609-38230-8. Paper. Pp. 386. $40.00. michael Pisani’s newest book is http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png American Music University of Illinois Press

Music for the Melodramatic Theatre in Nineteenth-Century London & New York by Michael V. Pisani (review)

American Music , Volume 36 (3) – Dec 5, 2018

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Publisher
University of Illinois Press
ISSN
1945-2349

Abstract

book r eviews 397 among ourselves while holding accountable those in violation. We should look for “positivity” and “potential” in our work and the work of our colleagues and students. We must advocate for our own well-being and that of our colleagues and students. Can we make love, care, empathy, and respect foundations of our discipline rather than occasional by- products? Cheng concludes by questioning: “In the event we sound bad, who will care? a s we slow down, who will keep pace? If we break, who will put us back together again? Should our lives shatter, whose reflections will show up in the shards?” (102). e verette Scott Smith Southeastern Louisiana University No Te 1. r oger Caillois, Man, Play and Games, trans. m eyer b arash (u rbana: u niversity of Illinois Press, 2001). o riginally published in 1958 as Les jeux et les hommes and first translated into e nglish in 1961. Music for the Melodramatic Theatre in Nineteenth- Century London & New York. b y m ichael V. Pisani. Studies in Theatre History and Culture Series. Iowa City: u niversity of Iowa Press, 2014. ISbN: 978-1-609-38230-8. Paper. Pp. 386. $40.00. michael Pisani’s newest book is

Journal

American MusicUniversity of Illinois Press

Published: Dec 5, 2018

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