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Cajun Breakdown: The Emergence of an American-Made Music (review)

Cajun Breakdown: The Emergence of an American-Made Music (review) book reviews fink, Repeating Ourselves: American Minimal Music as Cultural Practice (berkeley: university of California Press, 2005), 89­91, 152­53; and Cecilia Sun's dissertation chapter, "minimalism's myth of origins: Terry riley's In C," in "experiments in musical Performance: Historiography, Politics, and the Post-Cagean avant-Garde," Ph.D. diss., university of California­los angeles, 2004, 144­210. 2. Carl, who teaches composition at the Hartt School of music at the university of Hartford, is perhaps best known in minimalism studies for his article "The Politics of Definition in New music," College Music Symposium 29 (1989): 101­14. 3. aspects of this story are discussed in an interview with ramon Sender and William maginnis, conducted by David bernstein and maggi Payne, in The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde, ed. bernstein (berkeley: university of California Press, 2008), 69­70, 79; and in Saul landau, "an essay on Censorship," Canyon Cinema News, october­November 1964, reprinted in Canyon Cinema: The Life and Times of an Independent Film Distributor, ed. Scott macDonald (berkeley: university of California Press, 2008), 46­52. 4. for more on the SfTmC and its relationship to the counterculture, see bernstein, ed., The San Francisco Tape Music Center. In another review of this book, http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png American Music University of Illinois Press

Cajun Breakdown: The Emergence of an American-Made Music (review)

American Music , Volume 29 (3) – Nov 12, 2011

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Publisher
University of Illinois Press
Copyright
Copyright © University of Illinois Press
ISSN
1945-2349
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Abstract

book reviews fink, Repeating Ourselves: American Minimal Music as Cultural Practice (berkeley: university of California Press, 2005), 89­91, 152­53; and Cecilia Sun's dissertation chapter, "minimalism's myth of origins: Terry riley's In C," in "experiments in musical Performance: Historiography, Politics, and the Post-Cagean avant-Garde," Ph.D. diss., university of California­los angeles, 2004, 144­210. 2. Carl, who teaches composition at the Hartt School of music at the university of Hartford, is perhaps best known in minimalism studies for his article "The Politics of Definition in New music," College Music Symposium 29 (1989): 101­14. 3. aspects of this story are discussed in an interview with ramon Sender and William maginnis, conducted by David bernstein and maggi Payne, in The San Francisco Tape Music Center: 1960s Counterculture and the Avant-Garde, ed. bernstein (berkeley: university of California Press, 2008), 69­70, 79; and in Saul landau, "an essay on Censorship," Canyon Cinema News, october­November 1964, reprinted in Canyon Cinema: The Life and Times of an Independent Film Distributor, ed. Scott macDonald (berkeley: university of California Press, 2008), 46­52. 4. for more on the SfTmC and its relationship to the counterculture, see bernstein, ed., The San Francisco Tape Music Center. In another review of this book,

Journal

American MusicUniversity of Illinois Press

Published: Nov 12, 2011

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