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ROBERT S. WINTER Whose Schubert? nineteenth-century music fall 2000 volume xxiv no. 2 edited by Lawrence Kramer Volume XXXIV, number 3 Spring, 2011 Nineteenth-Century Music and Film Berthold Hoeckner, Editor NATHAN PLATTE Dream Analysis: Korngold, Mendelssohn, and Musical Adaptations in Warner Bros.' A Midsummer Night's Dream (1935) 211 Screwball Fantasia: Classical Music in Unfaithfully Yours 237 Recurring Dreams and Moving Images: The Cinematic Appropriation of Schumann's Op. 15, No. 7 271 Beethoven Overcome: Romantic and Existentialist Utopia in Andrei Tarkovsky's Stalker 302 The Operatics of Detachment: Tosca in the James Bond Film Quantum of Solace 316 Listening to the Self: The Shawshank Redemption and the Technology of Music 341 MARTIN MARKS fall 2000 volume xxiv number 2 JEREMY BARHAM TOBIAS PONTARA MARCIA J. CITRON DANIEL K. L. CHUA CONTRIBUTORS INDEX DIRECTIONS TO CONTRIBUTORS
19th-Century Music – University of California Press
Published: Mar 1, 2011
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