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Table of Contents

Table of Contents ROBERT S. WINTER Whose Schubert? nineteenth-century music fall 2000 volume xxiv no. 2 edited by Lawrence Kramer Volume XXXVIII, number 3 Spring, 2015 DAVID LARKIN MARTIN KNUST KAREN LEISTRA-JONES MARC BROOKS Dancing to the Devil's Tune: Liszt's Mephisto Waltz and the Encounter with Virtuosity 193 Music, Drama, and Sprechgesang: About Richard Wagner's Creative Process 219 Improvisational Idyll: Joachim's "Presence" and Brahms's Violin Concerto, op. 77 243 Strauss and Hofmannthal's Arabella and the Resacralization of the Operatic Tradition 272 fall 2000 volume xxiv number 2 CONTRIBUTORS INDEX DIRECTIONS TO CONTRIBUTORS http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Table of Contents

19th-Century Music , Volume 38 (3) – Apr 1, 2015

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Publisher
University of California Press
Copyright
© 2015 by the Regents of the University of California
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2015.38.3.toc
Publisher site
See Article on Publisher Site

Abstract

ROBERT S. WINTER Whose Schubert? nineteenth-century music fall 2000 volume xxiv no. 2 edited by Lawrence Kramer Volume XXXVIII, number 3 Spring, 2015 DAVID LARKIN MARTIN KNUST KAREN LEISTRA-JONES MARC BROOKS Dancing to the Devil's Tune: Liszt's Mephisto Waltz and the Encounter with Virtuosity 193 Music, Drama, and Sprechgesang: About Richard Wagner's Creative Process 219 Improvisational Idyll: Joachim's "Presence" and Brahms's Violin Concerto, op. 77 243 Strauss and Hofmannthal's Arabella and the Resacralization of the Operatic Tradition 272 fall 2000 volume xxiv number 2 CONTRIBUTORS INDEX DIRECTIONS TO CONTRIBUTORS

Journal

19th-Century MusicUniversity of California Press

Published: Apr 1, 2015

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