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Table of Contents

Table of Contents ROBERT S. WINTER Whose Schubert? nineteenth-century music fall 2000 volume xxiv no. 2 edited by Lawrence Kramer Volume XXXIV, number 1 Summer, 2010 EMILY I. DOLAN The Work of the Orchestra in Haydn's Creation 3 Parlor Games: Italian Music and Italian Politics in the Parisian Salon MARY ANN SMART JACQUELYN SHOLES Lovelorn Lamentation or Histrionic Historicism? Reconsidering Allusion and Extramusical Meaning in the 1854 Version of Brahms's B-Major Trio 61 The Crystal Palace Concerts: Canon Formation and the English Musical Renaissance 87 fall 2000 volume xxiv number 2 COLIN EATOCK CONTRIBUTORS DIRECTIONS TO CONTRIBUTORS http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Table of Contents

19th-Century Music , Volume 34 (1) – Jul 1, 2010
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Publisher
University of California Press
Copyright
Copyright © by the University of California Press
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2010.34.1.toc
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Abstract

ROBERT S. WINTER Whose Schubert? nineteenth-century music fall 2000 volume xxiv no. 2 edited by Lawrence Kramer Volume XXXIV, number 1 Summer, 2010 EMILY I. DOLAN The Work of the Orchestra in Haydn's Creation 3 Parlor Games: Italian Music and Italian Politics in the Parisian Salon MARY ANN SMART JACQUELYN SHOLES Lovelorn Lamentation or Histrionic Historicism? Reconsidering Allusion and Extramusical Meaning in the 1854 Version of Brahms's B-Major Trio 61 The Crystal Palace Concerts: Canon Formation and the English Musical Renaissance 87 fall 2000 volume xxiv number 2 COLIN EATOCK CONTRIBUTORS DIRECTIONS TO CONTRIBUTORS

Journal

19th-Century Music – University of California Press

Published: Jul 1, 2010

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