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Table of Contents

Table of Contents ROBERT S. WINTER Whose Schubert? nineteenth-century music fall 2000 volume xxiv no. 2 edited by Lawrence Kramer Volume XXXVII, number 3 Spring, 2014 LAURIE MCMANUS FLORA WILLSON Feminist Revolutionary Music Criticism and Wagner Reception: The Case of Louise Otto 161 Of Time and the City: Verdi's Don Carlos and Its Parisian Critics 188 Regionalist Frictions in the Bullring: Lyric Theater in Béziers at the Fin de Siècle 211 CHRISTOPHER MOORE fall 2000 volume xxiv number 2 CONTRIBUTORS INDEX DIRECTIONS TO CONTRIBUTORS . . http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Table of Contents

19th-Century Music , Volume 37 (3) – Apr 1, 2014

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Publisher
University of California Press
Copyright
© 2014 by the Regents of the University of California
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2014.37.3.toc
Publisher site
See Article on Publisher Site

Abstract

ROBERT S. WINTER Whose Schubert? nineteenth-century music fall 2000 volume xxiv no. 2 edited by Lawrence Kramer Volume XXXVII, number 3 Spring, 2014 LAURIE MCMANUS FLORA WILLSON Feminist Revolutionary Music Criticism and Wagner Reception: The Case of Louise Otto 161 Of Time and the City: Verdi's Don Carlos and Its Parisian Critics 188 Regionalist Frictions in the Bullring: Lyric Theater in Béziers at the Fin de Siècle 211 CHRISTOPHER MOORE fall 2000 volume xxiv number 2 CONTRIBUTORS INDEX DIRECTIONS TO CONTRIBUTORS . .

Journal

19th-Century MusicUniversity of California Press

Published: Apr 1, 2014

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