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THEODOR W. ADORNO Schubert Schubert (1928) THEODOR W. ADORNO Translated by Jonathan Dunsby and Beate Perrey Introduction Adorno was twenty-ï¬ve when he wrote the essay âSchubertâ in 1928. It was ï¬rst published in the same year to open a special issue devoted to the centennial of Schubertâs death in the leading music journal Die Musik. More than three decades later, in 1964, when invited by his publisher Suhrkamp to prepare a collection of his most important critical writings on music, Adorno chose âSchubertâ to be part of what became the volume Moments musicaux, named after Schubertâs famous collection for the piano. By this time, ï¬ve years before his death in 1969, Adorno had produced hundreds of music-critical essays. Selecting âSchubertâ for reprint alongside ï¬fteen further texts, including such seminal pieces as âSpätstil Beethovensâ (Late Style in Beethoven) (1937) and âVerfremdetes Hauptwerk: Zur Missa Solemnisâ (Alienated Masterpiece: The Missa Solemnis) (1959), indicates that Adorno regarded âSchubertâ to be of lasting critical and epistemological signiï¬cance. Indeed, in the foreword of the 1964 edition, the philosopher judged âSchubertâ to be his âï¬rst comprehensive . . . study of the meaning of music.â1 Now three-quarters of a century old, Adornoâs âSchubertâ has
19th-Century Music – University of California Press
Published: Jul 1, 2005
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