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Review: The Composition of Movements to Come: Aesthetics and Cultural Labor After the Avant-Garde, by Stevphen Shukaitis

Review: The Composition of Movements to Come: Aesthetics and Cultural Labor After the... Downloaded from http://afterimage.ucpress.edu/ on December 5 2019 BOOK REVIEW Composition of Movements to Come: Aesthetics and Cultural Labor The Composition of Movements to Come: Aesthetics and After the Avant-Garde is therefore to uncover new insights concern- ing today’s social compositions as well as the value of working with Cultural Labor After the Avant-Garde the concept of the artistic avant-garde as a model for practice. By Stevphen Shukaitis Based in autonomist politics, Shukaitis’s book argues against Rowman & Littlefield, 2016 the traditional revolutionary politics that are focused on labor 176 pp./$39.95 (sb) unions, political parties, and the working class as the privileged subject of History. Autonomist perspectives emerge, he says, Riffing off of Ornette Coleman’s from political antagonisms and subjectivities of struggle. These classic 1959 album The Shape could include the Occupy movement, student struggles, black of Jazz to Come and its later ap- politics, feminist politics, or indigenous movements. They would propriation by the Swedish band exclude, however, nationalism, religious fundamentalism, and Refused, Stevphen Shukaitis’s reactionary forms of identity politics (118). A common theme new book makes a forcible that is repeated throughout is Mario Tronti’s idea that resistance and compelling contribution is primary and not simply an expression http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Afterimage: The Journal of Media Arts and Cultural Criticism University of California Press

Review: The Composition of Movements to Come: Aesthetics and Cultural Labor After the Avant-Garde, by Stevphen Shukaitis

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Publisher
University of California Press
Copyright
© 2016 Afterimage/Visual Studies Workshop, unless otherwise noted. Reprints require written permission and acknowledgement of previous publication in Afterimage.
eISSN
2578-8531
DOI
10.1525/aft.2016.44.3.40
Publisher site
See Article on Publisher Site

Abstract

Downloaded from http://afterimage.ucpress.edu/ on December 5 2019 BOOK REVIEW Composition of Movements to Come: Aesthetics and Cultural Labor The Composition of Movements to Come: Aesthetics and After the Avant-Garde is therefore to uncover new insights concern- ing today’s social compositions as well as the value of working with Cultural Labor After the Avant-Garde the concept of the artistic avant-garde as a model for practice. By Stevphen Shukaitis Based in autonomist politics, Shukaitis’s book argues against Rowman & Littlefield, 2016 the traditional revolutionary politics that are focused on labor 176 pp./$39.95 (sb) unions, political parties, and the working class as the privileged subject of History. Autonomist perspectives emerge, he says, Riffing off of Ornette Coleman’s from political antagonisms and subjectivities of struggle. These classic 1959 album The Shape could include the Occupy movement, student struggles, black of Jazz to Come and its later ap- politics, feminist politics, or indigenous movements. They would propriation by the Swedish band exclude, however, nationalism, religious fundamentalism, and Refused, Stevphen Shukaitis’s reactionary forms of identity politics (118). A common theme new book makes a forcible that is repeated throughout is Mario Tronti’s idea that resistance and compelling contribution is primary and not simply an expression

Journal

Afterimage: The Journal of Media Arts and Cultural Criticism – University of California Press

Published: Nov 1, 2016

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