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Review: Person of the Crowd: The Contemporary Art of Flânerie

Review: Person of the Crowd: The Contemporary Art of Flânerie Downloaded from http://afterimage.ucpress.edu/ on December 5 2019 Person of the Crowd: The Contemporary Art of Flânerie THE BARNES FOUNDATION PHILADELPHIA FEBRUARY 25–MAY 22, 2017 The Barnes Foundation’s Person of the Crowd: The Contemporary Art of Flânerie is the third version of this exhibition curated by Thom Collins, currently executive director and president of the Barnes Foundation. While executive director of the Contemporary Museum in Baltimore, Collins oversaw the first version, Crowd of the Person (on view October 21, 2005–January 14, 2006). A second iteration took place at SUNY Purchase’s Neuberger Museum of Art (Person of the Crowd: The Contemporary Art of Flânerie; January 20–April 13, 2008) Installation view of Don’t Let Me Disappear (2009–11) by Slater Bradley where Collins was then director. All of the exhibitions are intrinsical- at the Barnes Foundation; courtesy the Barnes Foundation ly alike, yet also show intriguing signs of reworking based on Collins’s playing with the notion of flânerie in a manner that speaks to an im- pressive dedication to pondering it as a viable artistic practice re- emerging since the 1950s, and with a decisive vigor since the turn of point, he could not consider its practice credibly heroic. He was most- the http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Afterimage: The Journal of Media Arts and Cultural Criticism University of California Press

Review: Person of the Crowd: The Contemporary Art of Flânerie

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Publisher
University of California Press
Copyright
© 2017 Afterimage/Visual Studies Workshop, unless otherwise noted. Reprints require written permission and acknowledgement of previous publication in Afterimage.
eISSN
2578-8531
DOI
10.1525/aft.2017.44.6.23
Publisher site
See Article on Publisher Site

Abstract

Downloaded from http://afterimage.ucpress.edu/ on December 5 2019 Person of the Crowd: The Contemporary Art of Flânerie THE BARNES FOUNDATION PHILADELPHIA FEBRUARY 25–MAY 22, 2017 The Barnes Foundation’s Person of the Crowd: The Contemporary Art of Flânerie is the third version of this exhibition curated by Thom Collins, currently executive director and president of the Barnes Foundation. While executive director of the Contemporary Museum in Baltimore, Collins oversaw the first version, Crowd of the Person (on view October 21, 2005–January 14, 2006). A second iteration took place at SUNY Purchase’s Neuberger Museum of Art (Person of the Crowd: The Contemporary Art of Flânerie; January 20–April 13, 2008) Installation view of Don’t Let Me Disappear (2009–11) by Slater Bradley where Collins was then director. All of the exhibitions are intrinsical- at the Barnes Foundation; courtesy the Barnes Foundation ly alike, yet also show intriguing signs of reworking based on Collins’s playing with the notion of flânerie in a manner that speaks to an im- pressive dedication to pondering it as a viable artistic practice re- emerging since the 1950s, and with a decisive vigor since the turn of point, he could not consider its practice credibly heroic. He was most- the

Journal

Afterimage: The Journal of Media Arts and Cultural Criticism – University of California Press

Published: May 1, 2017

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