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Downloaded from http://afterimage.ucpress.edu/ on December 5 2019 FEATURE what difference could we make in a medium that was changing so quickly? This was at the time of the digital revolution in photography. A lot of my research, even though it began in the areas that museum staff know well and do well—photography Light and Time: exhibitions, programming, local photography resources, galleries, publishing—started going pretty quickly into areas that we did not A Conversation know that well: interdisciplinary art and technology initiatives, fields like computational photography and biomedical photography. Computational photography in 2011 was a fairly new field, so with Divya Rao for a museum to be talking about computational photography then was already a bit shocking. When I would reach out to researchers, Heffley asking them about it and about other developments, we came to understand that the products of the field were moving pretty quickly from the researcher to the consumer. Academics and museum staff were largely unaware of products such as GigaPan, which were By Jen Saffron being retailed at relatively low price points, while consumers were getting their hands on these developments, experimenting, and ince 2013, the Hillman Photography Initiative at the changing the way we
Afterimage: The Journal of Media Arts and Cultural Criticism – University of California Press
Published: Jul 1, 2017
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