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Index for Volume XXXIII (2009–10)

Index for Volume XXXIII (2009–10) COMMUNICATIONS Bottge, Karen M.--"Das verlassene Mägdlein" Grief Partaken 173 Contributors 79, 193, 270 Dolp, Laura--Viennese Moderne and Its Spatial Planes, Sounded Esse, Melina--Donizetti's Gothic Resurrections Everist, Mark--Grand Opéra--Petit Opéra: Parisian Opera and Ballet from the Restoration to the Second Empire Gibbons, William--Music of the Future, Music of the Past: Tannhäuser and Alceste at the Paris Opéra Kolb, Katherine--Flying Leaves: Between Berlioz and Wagner Mathew, Nicholas--Beethoven's Political Music, the Handelian Sublime, and the Aesthetics of Prostration Meyer, Stephen C.--Parsifal's Aura Newark, Cormac--"Vous qui faites l'endormie": The Phantom and the Buried Voices of the Paris Opéra Van Rij, Inge--"There is no anachronism": Indian Dancing Girls in Ancient Carthage in Berlioz's Les Troyens IN OUR NEXT ISSUE (SUMMER 2010) Emily Dolan: The Work of the Orchestra in Haydn's Creation Colin Eatock: The Crystal Palace Concerts: Canonicity and the English Musical Renaissance Jaquelyn Sholes: Lovelorn Lamentation, or Histrionic Historicism? Reconsidering Allusion and Extramusical Meaning in the 1854 Version of Brahms's B-Major Trio Mary Ann Smart: Rossini/Mercadante-Parisian Salon http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Index for Volume XXXIII (2009–10)

19th-Century Music , Volume 33 (3) – Mar 1, 2010

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Publisher
University of California Press
Copyright
Copyright © by the University of California Press
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2010.33.3.271
Publisher site
See Article on Publisher Site

Abstract

COMMUNICATIONS Bottge, Karen M.--"Das verlassene Mägdlein" Grief Partaken 173 Contributors 79, 193, 270 Dolp, Laura--Viennese Moderne and Its Spatial Planes, Sounded Esse, Melina--Donizetti's Gothic Resurrections Everist, Mark--Grand Opéra--Petit Opéra: Parisian Opera and Ballet from the Restoration to the Second Empire Gibbons, William--Music of the Future, Music of the Past: Tannhäuser and Alceste at the Paris Opéra Kolb, Katherine--Flying Leaves: Between Berlioz and Wagner Mathew, Nicholas--Beethoven's Political Music, the Handelian Sublime, and the Aesthetics of Prostration Meyer, Stephen C.--Parsifal's Aura Newark, Cormac--"Vous qui faites l'endormie": The Phantom and the Buried Voices of the Paris Opéra Van Rij, Inge--"There is no anachronism": Indian Dancing Girls in Ancient Carthage in Berlioz's Les Troyens IN OUR NEXT ISSUE (SUMMER 2010) Emily Dolan: The Work of the Orchestra in Haydn's Creation Colin Eatock: The Crystal Palace Concerts: Canonicity and the English Musical Renaissance Jaquelyn Sholes: Lovelorn Lamentation, or Histrionic Historicism? Reconsidering Allusion and Extramusical Meaning in the 1854 Version of Brahms's B-Major Trio Mary Ann Smart: Rossini/Mercadante-Parisian Salon

Journal

19th-Century MusicUniversity of California Press

Published: Mar 1, 2010

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