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Index for Volume 36 (2012–13)

Index for Volume 36 (2012–13) INDEX Bonds, Mark Evan--Aesthetic Amputations: Absolute Music and the Deleted Endings of Hanslick's Vom Musikalisch-Schönen Contributors 84, 204, 264 Cormac, Joanne--Liszt, Language, and Identity: A Multinational Chameleon Erken, Emily Alane--Narrative Ballet as Multimedial Art: John Neumeier's The Seagull Frey, Emily--Nowhere Man: Evgeny Onegin and the Politics of Reflection in Nineteenth-Century Russia Hibberd, Sarah--Le Naufrage de la Méduse and Operatic Spectacle in 1830s Paris Kangas, Ryan R--Mourning, Remembrance, and Mahler's "Resurrection" Kim, David Hyun-Su--The Brahmsian Hairpin Morgan, Elizabeth--The Accompanied Sonata and the Domestic Novel in Britain at the Turn of the Nineteenth Century Parr, Sean M.--Dance and the Female Singer in Second Empire Opera Perley, Naomi--The Language of an Unknown Country: Intratextuality in Proust's In Search of Lost Time Pruett, Laura Moore --"Mon triste voyage": Sentimentality and Autobiography in Gottschalk's The Dying Poet Wang, Dan--Melodrama, Two Ways Watkins, Holly--The Floral Poetics of Schumann's Blumenstück, Op. 19 Wells, Brianna--"Secret Mechanism": Les Contes d'Hoffmann and the Intermedial Uncanny in the Metropolitan Opera's Live in HD Series Wetters, Brent--Idea and Actualization: Bruno Maderna's Adaptation of Friedrich Hölderlin's Hyperion http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Index for Volume 36 (2012–13)

19th-Century Music , Volume 36 (3) – Apr 1, 2013

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Publisher
University of California Press
Copyright
© 2013 by the Regents of the University of California
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2013.36.3.265
Publisher site
See Article on Publisher Site

Abstract

INDEX Bonds, Mark Evan--Aesthetic Amputations: Absolute Music and the Deleted Endings of Hanslick's Vom Musikalisch-Schönen Contributors 84, 204, 264 Cormac, Joanne--Liszt, Language, and Identity: A Multinational Chameleon Erken, Emily Alane--Narrative Ballet as Multimedial Art: John Neumeier's The Seagull Frey, Emily--Nowhere Man: Evgeny Onegin and the Politics of Reflection in Nineteenth-Century Russia Hibberd, Sarah--Le Naufrage de la Méduse and Operatic Spectacle in 1830s Paris Kangas, Ryan R--Mourning, Remembrance, and Mahler's "Resurrection" Kim, David Hyun-Su--The Brahmsian Hairpin Morgan, Elizabeth--The Accompanied Sonata and the Domestic Novel in Britain at the Turn of the Nineteenth Century Parr, Sean M.--Dance and the Female Singer in Second Empire Opera Perley, Naomi--The Language of an Unknown Country: Intratextuality in Proust's In Search of Lost Time Pruett, Laura Moore --"Mon triste voyage": Sentimentality and Autobiography in Gottschalk's The Dying Poet Wang, Dan--Melodrama, Two Ways Watkins, Holly--The Floral Poetics of Schumann's Blumenstück, Op. 19 Wells, Brianna--"Secret Mechanism": Les Contes d'Hoffmann and the Intermedial Uncanny in the Metropolitan Opera's Live in HD Series Wetters, Brent--Idea and Actualization: Bruno Maderna's Adaptation of Friedrich Hölderlin's Hyperion

Journal

19th-Century MusicUniversity of California Press

Published: Apr 1, 2013

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