Get 20M+ Full-Text Papers For Less Than $1.50/day. Start a 14-Day Trial for You or Your Team.

Learn More →

Directions to Contributors

Directions to Contributors closing with five key words. Musical examples should be submitted as PDFs and illustrations as TIF, PDF, or JPEG files. All endnotes and extracts must be double-spaced. Submissions should be sent to the editorial office, 19th-Century Music, Music Department, University of California, Davis: cmacosta@ucdavis.edu. For quotations transcribed from foreign sources, authors are urged to specify in the typescript occurrences of the following characters: ß, É, À, OE, and oe. Prospective contributors should consult recent issues of 19th-Century Music or Writing About Music, by D. Kern Holoman (Berkeley and Los Angeles, 1988), for matters of style. In most cases, we follow the practices of The Chicago Manual of Style, 15th edn. (Chicago: University of Chicago Press, 2003). IN OUR NEXT ISSUE (SPRING 2009) ARTICLES J. P. E. Harper-Scott: Medieval Romance and Wagner's Musical Narrative in the Ring Peter Mercer-Taylor: Mendelssohn in Nineteenth-Century American Hymnody http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Directions to Contributors

19th-Century Music , Volume 32 (2) – Oct 1, 2008

Loading next page...
 
/lp/university-of-california-press/directions-to-contributors-jwLvQIJIje
Publisher
University of California Press
Copyright
Copyright © by the University of California Press
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2008.32.2.210
Publisher site
See Article on Publisher Site

Abstract

closing with five key words. Musical examples should be submitted as PDFs and illustrations as TIF, PDF, or JPEG files. All endnotes and extracts must be double-spaced. Submissions should be sent to the editorial office, 19th-Century Music, Music Department, University of California, Davis: cmacosta@ucdavis.edu. For quotations transcribed from foreign sources, authors are urged to specify in the typescript occurrences of the following characters: ß, É, À, OE, and oe. Prospective contributors should consult recent issues of 19th-Century Music or Writing About Music, by D. Kern Holoman (Berkeley and Los Angeles, 1988), for matters of style. In most cases, we follow the practices of The Chicago Manual of Style, 15th edn. (Chicago: University of Chicago Press, 2003). IN OUR NEXT ISSUE (SPRING 2009) ARTICLES J. P. E. Harper-Scott: Medieval Romance and Wagner's Musical Narrative in the Ring Peter Mercer-Taylor: Mendelssohn in Nineteenth-Century American Hymnody

Journal

19th-Century MusicUniversity of California Press

Published: Oct 1, 2008

There are no references for this article.