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Directions to Contributors

Directions to Contributors closing with five key words. Musical examples should be submitted as PDFs and illustrations as TIF, PDF, or JPEG files. All endnotes and extracts must be double-spaced. Submissions should be sent to the editorial office, 19th-Century Music, Music Department, University of California, Davis: cmacosta@ucdavis.edu. For quotations transcribed from foreign sources, authors are urged to specify in the typescript occurrences of the following characters: ß, É, À, OE, and oe. Prospective contributors should consult recent issues of 19th-Century Music or Writing About Music, by D. Kern Holoman (Berkeley and Los Angeles, 1988), for matters of style. In most cases, we follow the practices of The Chicago Manual of Style, 16th edn. (Chicago: University of Chicago Press, 2010). Counterpoints: Nineteenth-Century Music and Literature 19th-Century Music is sponsoring this one-day interdisciplinary conference at Fordham University's Lincoln Center campus on Saturday, October 22, 2011. Graduate students, parttime and junior faculty are invited to submit abstracts (maximum: 500 words) to the editor, Lawrence Kramer, lek791@gmail.com, by June 30, 2011 (extended from April 30). Papers selected for presentation will be considered for publication in a special issue of the journal. The topics may range as widely as the contributors' imagination can compass. Possibilities include, but are by no means limited to, portrayals of music or musicians in nineteenthcentury literary works, musical representations in nineteenth-century music of literary genres, characters, or texts, literary opera, incidental music, aesthetic theories, models of performance, treatments of nineteenth-century music in twentieth- and twenty-first-century literature and film, treatments of nineteenth-century literature in twentieth- and twenty-first-century music, including opera and film music, and--the list goes on. As always, we define the chronological borders of the nineteenth century very loosely. We are also considering a piano recital combining old and new compositions inspired by literary works and would like to feature a group of younger pianists from the same pool of applicants as the CFP. If you would like to be considered for a spot on the program, please include a resume and performance sample. If the file size of the latter exceeds 10mb, please use a file delivery service such as Dropbox or YouSendIt. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png 19th-Century Music University of California Press

Directions to Contributors

19th-Century Music , Volume 35 (1) – Jul 1, 2011
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Publisher
University of California Press
Copyright
Copyright © by the University of California Press
ISSN
0148-2076
eISSN
1533-8606
DOI
10.1525/ncm.2011.35.1.91
Publisher site
See Article on Publisher Site

Abstract

closing with five key words. Musical examples should be submitted as PDFs and illustrations as TIF, PDF, or JPEG files. All endnotes and extracts must be double-spaced. Submissions should be sent to the editorial office, 19th-Century Music, Music Department, University of California, Davis: cmacosta@ucdavis.edu. For quotations transcribed from foreign sources, authors are urged to specify in the typescript occurrences of the following characters: ß, É, À, OE, and oe. Prospective contributors should consult recent issues of 19th-Century Music or Writing About Music, by D. Kern Holoman (Berkeley and Los Angeles, 1988), for matters of style. In most cases, we follow the practices of The Chicago Manual of Style, 16th edn. (Chicago: University of Chicago Press, 2010). Counterpoints: Nineteenth-Century Music and Literature 19th-Century Music is sponsoring this one-day interdisciplinary conference at Fordham University's Lincoln Center campus on Saturday, October 22, 2011. Graduate students, parttime and junior faculty are invited to submit abstracts (maximum: 500 words) to the editor, Lawrence Kramer, lek791@gmail.com, by June 30, 2011 (extended from April 30). Papers selected for presentation will be considered for publication in a special issue of the journal. The topics may range as widely as the contributors' imagination can compass. Possibilities include, but are by no means limited to, portrayals of music or musicians in nineteenthcentury literary works, musical representations in nineteenth-century music of literary genres, characters, or texts, literary opera, incidental music, aesthetic theories, models of performance, treatments of nineteenth-century music in twentieth- and twenty-first-century literature and film, treatments of nineteenth-century literature in twentieth- and twenty-first-century music, including opera and film music, and--the list goes on. As always, we define the chronological borders of the nineteenth century very loosely. We are also considering a piano recital combining old and new compositions inspired by literary works and would like to feature a group of younger pianists from the same pool of applicants as the CFP. If you would like to be considered for a spot on the program, please include a resume and performance sample. If the file size of the latter exceeds 10mb, please use a file delivery service such as Dropbox or YouSendIt.

Journal

19th-Century Music – University of California Press

Published: Jul 1, 2011

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