Access the full text.
Sign up today, get DeepDyve free for 14 days.
References for this paper are not available at this time. We will be adding them shortly, thank you for your patience.
Abstract . On 22 June 1829, the legendary French harpist, convicted forger and escaped felon, Robert Nicolas Charles Bochsa performed his most infamous musical offense: a rendition of Beethoven's Pastoral Symphony with stage action. Since Grove, this surprisingly early reworking of the Sixth as a ballet-pantomime has not gone down well in the literature. As the twentieth century unfurled, the moment steadily receded into obscurity, losing all cultural and contextual meaning to the point where it is now remembered (if at all) as a lesson in the rogue potential of performance—a pockmark on the historical map. This article will reverse the general slide into amnesia by first excavating this vanished but important moment of the musical past, and then recuperating its seriousness. Enough evidence from the 1820s and 30s suggests that Bochsa's Symphonie (performed at London's King's Theatre) was representative of much more than itself. Far from historically inexplicable, it can be read as an extreme manifestation of a strongly defined ballet-concert exchange that characterized the artistic trends of the late 1820s. By taking on abstract and “musical” forms, dance was becoming more concertlike. Concerts, meanwhile, were developing balletic traits in their increasing use of picturesque effects, and their growing fascination for the visual or bodily aspects of musical performance. A rapprochement took place that reshaped the nature of listening and figured the emerging concept of the musical work in a curiously plastic, objective way—as the case study exemplifies.
19th-Century Music – University of California Press
Published: Jul 1, 2003
Read and print from thousands of top scholarly journals.
Already have an account? Log in
Bookmark this article. You can see your Bookmarks on your DeepDyve Library.
To save an article, log in first, or sign up for a DeepDyve account if you don’t already have one.
Copy and paste the desired citation format or use the link below to download a file formatted for EndNote
Access the full text.
Sign up today, get DeepDyve free for 14 days.
All DeepDyve websites use cookies to improve your online experience. They were placed on your computer when you launched this website. You can change your cookie settings through your browser.